Tag Archives: writing

June 7, 2026 · 10:36 am

Poets for Amnesty International

Last year, a group of poets got together to raise money for World Central Kitchen.

My co-host contacted me earlier this year and suggested we host another reading, this time for Amnesty International.

What is this?

Well, it’s a bunch of poets reading poetry, hoping for a better world. I am so excited.

While we’re reading, we’ll be encouraging listeners to donate to AMNESTY INTERNATIONAL! We’ll be dropping links in the chat. Like this: https://www.amnesty.org/en/donate/

When is this?

SUNDAY, JUNE 14TH!

What time is this?

4:00 PM – 5:30 PM EASTERN!

(That’s: 3:00-4:30 Central, 2:00-3:30 Mountain, 1:00-2:30 Pacific: PICK YOUR POISON!)

Where is this?

MY TWITCH CHANNEL! https://twitch.tv/csecooney

IT’S VIRTUAL! FOR FREE! ANYONE CAN STREAM! You don’t even need to be signed in! But you CAN be signed in if you want to join the CHAT!

Who are our poets?

Please, let me introduce you!

Lisa M. Bradley

A queer, disabled Latina originally from South Texas, Lisa M. Bradley now lives in Iowa. Her poetry has appeared in F&SF, Nightmare Magazine, Strange Horizons, and Uncanny, among other venues. She coedited, with R.B. Lemberg, the Ursula Le Guin tribute poetry anthology, Climbing Lightly Through Forests (Aqueduct Press). Since 2022, she has been a poetry editor for Strange Horizons. Her first collection of short fiction and poetry is The Haunted Girl (Aqueduct Press). Her debut novel is Exile (Rosarium Publishing). Learn more at www.lisambradley.com or on Bluesky, @cafenowhere.bsky.social.

Allisa Cherry

Allisa Cherry is the author of the poetry collection An Exodus of Sparks (Michigan State University Press) which was the 2024 recipient of the Wheelbarrow Books Poetry Prize (RCAH Center for Poetry) and recently longlisted for the Julie Suk Award from Jacar Press. Her work has appeared in journals such as Rattle, Northwest Review, Chicago Quarterly, New Ohio Review and The Penn Review. Raised in an irradiated town in rural Arizona, she now makes her home in Portland, Oregon where she teaches workshops for immigrants and refugees transitioning to a life in the U.S. and serves as an associate poetry editor for West Trade Review.

C. S. E. Cooney

C. S. E. Cooney is a two-time World Fantasy Award-winning author, a Rhysling Award-winning poet, a game designer, a SAG-AFTRA voice actor, and the singer-songwriter Brimstone Rhine. Find her on social media via her LinkTree https://linktr.ee/csecooney

McKenna Deen

McKenna Deen (she/her/hers) has an MFA in Creative Writing from SDSU. her poetry chapbook Ever Yours, Vincent — about the life and art of Vincent van Gogh — was published by dancing girl press.her poems have appeared in The Los Angeles Review, The Poet, Ekphrastic Review, and pacificREVIEW, among others. she’s the editor-in-chief of boats against the current, a poetry magazine that highlights the voices of women, LGBTQ writers, and poets from underrepresented backgrounds. through the magazine, she recently launched a poetry snail mail club that encourages people to unplug from the digital world and engage with whimsical art and physical media. she lives in Portland, Oregon with her husband and two cats. 

Gerald L. Coleman

Gerald L. Coleman is a philosopher, theologian, poet, and Science Fiction & Fantasy author. He is the author of the Epic Fantasy novel series, The Three Gifts, which currently includes, When Night Falls (Book One), A Plague of Shadows (Book Two), and are being prepared for re-release. His speculative fiction and essays have appeared numerous anthologies and magazines. His poetry has appeared journals, magazines, and anthologies including: Pluck! The Journal of Affrilachian Arts & Culture, Drawn To Marvel: Poems From The Comic Books, Black Bone Anthology, the Locust Award nominated Year’s Best African Speculative Fiction (2022), and This is the Honey: An Anthology of Contemporary Black Poets. He has been a Guest Author at multiple conventions, and a Guest Author/Poet/Lecturer at many universities and book clubs. He’s a Scholastic National Writing Juror, a Co-founder of the Affrilachian Poets, a Rhysling Award Nominee, a Locust Award Nominee (anthology), an NAACP Image Award winner (anthology contributor), and a Fellow at the Black Earth Institute. His newest releases include a collection of SF&F short stories entitled, From Earth and Sky, and a collection of poems and micro-essays entitled Incendiary. You can find him at GeraldColeman.com.

Blas Falconer

Blas Falconer is the author of Rara Avis (Four Way Books 2024); Forgive the Body This Failure (Four Way Books, 2018); The Foundling Wheel (Four Way Books, 2012);  A Question of Gravity and Light (University of Arizona Press, 2007);  and The Perfect Hour (Pleasure Boat Studio: A Literary Press, 2006).  He is also a co-editor for The Other Latin@: Writing Against a Singular Identity (University of Arizona Press, 2011) and Mentor & Muse:  Essays from Poets to Poets (Southern Illinois University Press, 2010).

Carlos Hernandez

Carlos Hernandez is the author of The Assimilated Cuban’s Guide to Quantum Santeria, Sal and Gabi Break the Universe, Sal and Gabi Fix the Universe, and scores of stories and poems, mostly in sff. He is a college professor and a game designer who often collaborates with his partner C. S. E. Cooney

Anne Hills

Anne Hills is best known for her rich vocals and interpretive work, being featured on many recordings along with her own busy catalogue. As a songwriter, she continues to garner fans. Her song “Follow That Road” was chosen as the title cut for the Second Annual Martha’s Vineyard Singer/Songwriter’s Retreat and continues to be a radio and audience favorite. Lyrics being her primary love, she has alway written poetry, submitting occasionally with some successes. These include 2nd prize in the 1999 Atlantic Monthly and being published in Eastern Structures, Haiku Review and Room with a View. She even got her M.D. with a poem published in The Annals of Internal Medicine and their book “On Being a Doctor”, though she is only a licensed clinical social worker. 

Julia Rios

Julia Rios (they/them) is a queer, Latinx writer, editor, podcaster, and narrator whose fiction, non-fiction, and poetry have appeared in Latin American Literature Today, Lightspeed, and Goblin Fruit, among other places. Their editing work has won multiple awards including the Hugo Award and the Shirley Jackson Award. Julia is a co-host of This is Why We’re Like This, a podcast about the movies we watch in childhood that shape our lives, for better or for worse. They’ve narrated stories for Escape Pod, Podcastle, Pseudopod, and Cast of Wonders.

Liz Pino Sparks

Liz Pino Sparks is a writer, musician, and teacher. She lives in the Southwestern United States, where her ancestors have lived for thousands of years. You can find her work in Hayden’s Ferry Review, Boats Against the Current Magazine, and others.

Adam Stutz

Adam Stutz is a neurodivergent poet and the Editor-in-Chief and publisher of The Broken Lens Journal. He is the author of one chapbook and three books of poetry including The Sham Tapestry and Compunctions + Thefts (White Stag Publishing, 2024). His work has appeared or is forthcoming in various print and online publications including Prelude, The Pinch, Dream Pop, Cover, Ghost Proposal, Columba Poetry, INKSOUNDS, Trilobite, hush: a journal of noise, SWERVE, The Sonora Review, Action Spectacle, Chartreuse Lit and Fourteen Hills. His work can also be found at https://stutzwrites.com. He currently resides in Los Angeles, CA.

Hanna Tawater

Hanna Tawater is the author of the poetry collections VOID (White Stag, 2022) and Reptilia (Ayahuasca, 2018). She completed her MFA in writing, with focus on interdisciplinary poetry, at UC San Diego. Her work has appeared in various publications, both online and in print. She teaches writing and project-based learning in San Diego, where she lives with entirely too many cats.

Ali Trotta

Ali Trotta is a poet, writer, editor, word-nerd, and unapologetic coffee addict. Her poetry has been published in Uncanny, The Magazine of Fantasy & Science Fiction, Asimov’s, Small Wonders, Enchanted Living, The Deadlands, Fireside, Strange Horizons, Cicada, Nightmare, Mermaids Monthly, Dream Theory Media, Simultaneous Times, The Best of Uncanny Magazine (Subterranean Press), and several of the Rhysling Anthology compilations. Her collection, Offerings for Ordinary Gods, comes out July 2026 from CLASH Books. Seven of her poems were Rhysling Award nominees. Her short fiction has appeared in Worlds of Possibilities and Curtains. When she’s not writing, she’s usually cooking, baking, hugging an animal, or pretending to be a mermaid. She has a rescue cat named Thor, who is part Maine Coon and part Gremlin. Her website is alitrotta.com. You can sign up for her newsletter (https://buttondown.email/alwayscoffee) or follow her Tumblr (@alwayscoffee), Bluesky (@alwayscoffee), or Instagram (@alwayscoffee7).

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May 25, 2026 · 12:34 pm

WisCon Infernal Salon

I got run an Infernal Salon workshop at WisCon just now! Since I was on my computer to do so, I just wrote this write into my blog, so what you see is what you get after 20 minutes of free-writing off these prompts. LOL! First drafts!

The woman in the sun mask smiled at the musicians. The drummer had her eyes closed, but the guitarist caught the smile and reflected it back like a mirror. Only a few of the masqueraders were dancing. It was early in the night, and most were still replete from the feast, sitting sodden in their chairs. A few of the younger people, teenagers minding their toddler siblings, had ventured onto the dance floor and were bopping along, wearing the faces of frogs or flower petals or, in one instance, the mask of a much older man. As the person in the mask was maybe no more than five or six, it caused much uproar among the onlookers, to see a nonagenarian leaping and spinning and hooting, a hooligan among hobgoblins.

The woman in the sun mask was interested in the music. Had she not been attending the masquerade for a very specific purpose, had she been there solely to enjoy herself, she might have joined the children on the dance floor. She could have orbited around them benignly, casting her light upon their antics. But there were rules to this sort of encounter. No one could no who she was. She had to complete her task before the stroke of midnight. She then had to disappear. After that, the ball–as it were–would be in the other’s court.

Above the glass ceiling, clouds smudged the closed eyelid of the sky like phosphenes. No stars tonight. Perhaps, like her, they had all fallen, here, tonight, to attend this masquerade. Or perhaps they were all in hiding, like the one she sought.

Perhaps the one she sought was not here at all. Perhaps they had broken their pact, or had forgotten, or sought to punish her for what had happened after the last masquerade, not a hundred years ago, in a different country. She had worn a different mask that night, stitched leather, red, with a bull’s great horns. She had been the pursuer, and they the pursued. She had driven them into a mountain cave, and rolled a great boulder over the entrance. Their hundred-year challenge? To work their way back out, and design an even greater challenge to trap her here on the planet for her turn, whilst the other was granted leave to return to their celestial orbit.

They weren’t gods, exactly. But humanity benefited from their presence among them, no matter how remote. One time, she had been dropped at the bottom of a well. But humans figured out how to extract wishes from that well, and she did find the damp and dark soothing. She came out of that trap wealthy with coins, which she distributed where she saw fit before returning to her sphere.

She wondered if her partner had discovered something in those mountains that had made their stay worthwhile. How could they not? She had chosen that range most carefully, most specifically…

But where were they?

Ah. There.

Across the ballroom floor, dancing with a group of three toddlers, each of whom were wearing masks made out of twists of metal, orreries and astrolabes and armillary spheres. They themselves, barely clothed in a diaphanous sheet–thankfully this present age was not at all prudish–wore a mask of one of the baby-faced wind gods–the god “Enemigo” she thought, the hot dry wind from the south.

The moment she saw them, they turned their mask and peered in her direction.

Masks cannot smile, she thought.

She knew they could not smile. And yet, this one did.

They nodded their head, just once, regal. She turned her shoulder, brushed past a teenager wearing a dung beetle for a face, and kicked off her shoes.

The clock struck midnight.

The chase was on.

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May 20, 2026 · 12:33 pm

Just Your Average Spring….

Traveling the World (well okay, a bit of Canada & the Midwest), Finishing a Novel (1st draft anyway), Reading, Blurbing, Poetry Panel, Narration Podcast, you know…

A Widow’s Charm Tour with Caitlyn Paxson

I wrote extensively about our tour dates and stops in an earlier newsletter, so this one’s mostly pictures. What an adventure! This is what they mean when they say “time of your life.” 

Caitlyn and I have been rising authors together for almost twenty years. It has taken decades to build our careers to this point, and the most important thing I’ve learned is to CELEBRATE OUR VICTORIES WHENEVER THEY COME, BY WHATEVER MEANS NECESSARY.

I am so so so happy to celebrate Caitlyn’s incredible success with her. I LOVED being her conversation partner, and just GLOWING at her the whole time!

This is outside Hopeless Romantics in Toronto. I dressed to match the store.

This was at Artemis Books and Goods in Traverse City, Michigan. We were their FIRST AUTHOR EVENT. 

They have LOTS of signed books—both mine and Caitlyn’s—if you wanted to order a signed one from them! Maybe mention you’d like a signed one, so that they know!

A Widow’s Charm

Desdemona and the Deep

Saint Death’s Daughter

Saint Death’s Herald

This was a great event, at CityLit Books in Chicago. SO MANY OF MY CHICAGO and CHICAGO SUBURBS friends came—in a torrential downpour!!! with tornado warnings!!!!—and I got to meet some old family friends of Caitlyn’s while we were there too! 

Oh, and JULIA RIOS showed up, on their way to another state. They made sure to have a layover in Chicago, JUST TO COME TO THE EVENT! They’re the greatest.

I was so so happy.

Finishing (the FIRST DRAFT of) a Novel

Yes, it me. 

I finished the first draft of Saint Death’s Doorway. 

Yes I did.

HEE HEE. 

Now I gotta git gud. Due date’s July 17th. Eep. Not much time. 

“I’ve always relied on the kindness of beta readers.”

Poetry Panel and Narration Podcast

The poetry panel with Ali Trotta and Connecticut Poet Laureate Antoinette Brim-Bell was pretty awesome. They were both so insightful and passionate about poetry, and I got to brush off my performance piece “The Sea King’s Second Bride”—memorized, no less! 

You can find Ali’s new, debut poetry collection, Offerings for Ordinary Gods, here: https://www.alitrotta.com/poetrycollections

This is what I wrote about it: “Ali Trotta’s Offerings for Ordinary Gods is a merge of witchcraft, myth, love potion, and grief memoir. Feminist, fervent, and at times forlorn, this poetry collection champions female figures who have been done dirty by history and myth’s trad narratives (as well as present day voices of the #MeToo movement), dispenses wisdom to the lonely and hurt from unexpected sources, and warns of dire curses awaiting those who do harm. Many of these poems are love poems, and none so deep as the love poems to a lost mother, for whom the poet’s yearning sounds the very depths of a siren’s sea.”

And Antoinette Brim-Bell’s website is full of her collections and collaborative art projects—including ballets based on her work! I suggest “Freedom is Red,” found here, among some of her others: https://www.antoinettebrimbell.com/poems

The narration podcast featured Andrew Hiller, whose comedic noir novella “Hornytown Chutzpah” recently came out with Atthis Arts. Andrew and his sister did the co-narration for that book. The podcast also featured Trendane Sparks, a renowned narrator of many BattleTech and Shadowrun audiobooks!

You can watch or listen to the VOD for that here:

https://www.youtube-nocookie.com/embed/2o5VZIV4RI8?rel=0&autoplay=0&showinfo=0&enablejsapi=0

French Translation of Desdemona, now with LINK!

Ah! I mentioned it in an earlier newsletter that it was coming, but now…

Desdemona, the French translation of my novella Desdemona and the Deep, is now AVAILABLE IN FRENCH from Argyll Editions!

HERE’S THE LINK! https://argyll.fr/produit/desdemona/

The incredible cover artist is Anouck Faure, whom I adore. And the incredible translator is Anne-Sylvie Homassel! I am so happy! So honored! I have to see how I can order a copy! I want to hug it!

Carlos made me a decal of the cover for our living room window, and then we had the wrap-around version of the color printed out so we could frame it.

And… just WAIT till you see Anouck’s cover for Anne-Sylvie’s translation of my novella The Breaker Queen! It’s currently my desktop wallpaper, but it’s not for public consumption yet.

Theatre I Loved

Paradise Lost… In Space!

I mean, say no more. Except, I will. Or maybe I should let the creators speak for me:

Imagine Milton’s Paradise Lost, except God is an alien overlord, Satan is a bitter divorcee, and Eve is a feminist icon. Throw in drag queen space demons, cosmic rock anthems, and a mysterious substance called Space Jelly, and you have the irreverent new musical, Paradise Lost in Space.

At a time when the rights of women and LGBTQ+ people are being challenged, we wanted to reclaim Western culture’s foundational creation myth, to make room for the true, queer beauty of our diverse experiences. Revitalizing this old story as a campy space opera, Paradise Lost in Space has the power to entertain and connect audiences

I really loved it. I laughed my ass off. It came out of a piece of queer ritual theatre at a fairy festival, and you could feel the holiness right there the whole time, with all the sacred and profane together.

Check it out here: https://www.paradiselostinspace.com

Cumulo at Theatre Mitu

Cumulo, by Emily Batsford is a “nonverbal puppet piece explores our accumulation of self and the experiences that shape us. Soar with Plum as they free-fall through the sky, meeting weather and whimsy along the way.”

Yeah, that’s what the text said, but the experience was beautiful and harrowing. I thought it was going to be like the cotton candy they were serving at the concessions stand. No. No. It was… a nightmare in free-fall. It was thunderous. I can still feel it in my chest. 

I love the puppet designer, Yuliya Tsukerman, both as a poet and a mask-maker as well as a puppeteer. I highly recommend you follow her on Instagram and Patreon!

This is me in the onboarding portion of Cumulo. It only LOOKS soft and pink. But watch out for the monsters.

Canciones by Radical Evolution

This was an awesome immersive theatre experience. Imagine going to a family party, where the family has been mariachis for GENERATIONS, and ALL the drama is going down. You are fed tamales, chat with the actors, and are encouraged to gossip about what’s going on in the other rooms. 

And the music? Is FABULOUS.

https://www.radicalevolution.org/canciones

Soundbites: 10-Minute New Musical Festival

Theatre Now New York runs the Sound Bites Festival of 10-Minute Musicals. I was in it last year! This year, they were in Symphony Space, which was a great place for them.

I love any new plays festival. It’s like reading an anthology; you may not like everything, but you love the work as a whole, and the high level of the work individually. And the ones that ring in you, SING IN YOU. 

Books I’m Blurbing

These are all blurbs for novels and novellas forthcoming THIS YEAR! Keep an eye out for them!

The Asterist by A. T. Sayre.

Pre-order it on Bookshop, B&N, Amazon, or at your friendly indie bookstore!

What I wrote about it:

What do you get when you take a bitter, demoralized loner finishing up his last tedious job in space and introduce him to a flash-frozen alien who’s just crash-landed on his asteroid? A.T. Sayre’s The Asterist. What a hero’s journey: to watch a grumpy curmudgeon strip off decades of bleak ennui to reveal complex layers of competence, scientific curiosity, excitement, and affection, as he learns to communicate with this wanderer in his midst. Fans of Murderbot’s blistering sarcasm and Project Hail Mary’s last-ditch problem solving will thrum to the themes of The Asterist. Pretty damned satisfying.

These next two are novellas coming out this year, but I don’t have pre-order links for them yet. I’ll get them to you as soon as I do!

A House of Perfect Safety (novella) by Virginia Mohlere

What I wrote about it:

When a book so singularly focused on healing meets the current tropes of SFF, it might easily be relegated to the sub-genre of “cozy fantasy.” And while A House of Perfect Safety by Virginia M. Mohlere is deeply comforting, radiant with care, I would not call it cozy. There is such ferocity in its desire for the safety and well-being of its characters, such passionate fury at the cruelties of a world that inflicts harm on the poor, the weak, the low of status, and such profound acknowledgement of pain, that every flicker of light, every new growth, every step towards freedom, is an enormous victory against the powers that seek to break us. Mohlere’s magic and invention call to mind Diana Wynne Jones’s Howl’s Moving Castle, but the deep work undergirding her prose sounds an alternative to LeGuin’s The Ones Who Walk Away from Omelas, entreating us not to walk away from suffering, but to serve to alleviate it instead—and not only that, but to end it at the source, both individually and in community, for once and for all.

A River Wide (novella) by Amanda J. McGee

What I wrote about it:

Like Alice Hoffman’s Practical Magic, and Amal El-Mohtar’s The River Has Roots, Amanda J. McGee’s novella A River Wide taps the bonds of sisterhood, survival, and power, and floods the senses with river water and witchcraft. McGee’s characters have a deep, Dillard-esque, and—dare I say—holy bond with the Appalachian landscape, which can be capricious, cruel, generous, or tender in turns, much like the prose itself. A River Wide wanders deftly into various creeks and hollows of genre: thriller, ghost story, romance, family drama, and a middle-of-life coming-of-age. It moved me, deeply.

Books I’m Looking Forward To:

Aviary, by Maria Dong

Description:

A young woman undertakes a terrifying journey—and a terrifying transformation—in this genre-blending speculative suspense novel set in South Korea and the US which mixes fantasy, gothic vibes and queer longing, with a shot of feminist body horror.

Fairytales are for children. Until the day we awaken in a place full of monsters, being softly enveloped by the dark.

Nineteen-year-old undocumented immigrant Hee-Jin lies on the floor of her cramped Seoul apartment, listening for footsteps.

But the knock on the door isn’t the police finally coming to deport her to North Korea. Instead, sprawled on the doorstep is a disfigured, bird-like corpse—and it has her eyes. Her younger sister, artist Hee-Young, is meant to be on an art program in America, not dead of a strange overdose.

But in Hee-Young’s pocket is a plane ticket and US passport. Seeing her chance for freedom, Hee-Jin steals her sister’s identity and takes her place, determined to uncover what really happened to her.

But the deeper she dives into the program’s strange workings, the closer she gets to the monstrous secret at its heart.

A page-turner of a mystery filled with gorgeous, creepy Korean folklore and imagery, Aviary, written by critically acclaimed Korean American author Maria Dong, is also a story about power, violence, exploitation—and transformation. And, above all, it’s about the choices women make from within a system where all the available options are bad ones.

An Embodiment of Souls by Julia Laurel

Description: 

IN THIS QUEER POLITICAL NECROMANTASY, A SECRET MARRIAGE PACT FOR SURVIVAL COULD UNDO A KINGDOM . . .


As the daughter of a foreign ambassador, Rissa hoped living abroad would protect her from home’s puritanical customs where women are forbidden to walk at night or use magic except to support a necromancer’s dual identity. Alek, the youngest prince of the Memric Isle, hasn’t yet taken his Second body. Fearing he’ll be accused of sin and his body claimed as a Second himself, Alek lives piously while studying abroad, even though he’s distracted by magic—and his handsome roommate, Gable. When Alek meets Rissa by chance, his quiet life is thrown into chaos. One of Rissa’s fathers has been abducted, and Alek and Gable are witnesses. Alek and Rissa form a secret alliance to find her father and uncover the truth behind the conspiracy, risking life and freedom as they follow clues straight to the heart of the Memric Isle’s government.

Artists I Love

I was at the Nyack Street Fair last Sunday, and stopped in my tracks for two things: the artist Amy Ackerman and a Bloody Mary Mix by a chef-artist named “K.” 

I don’t even like Bloody Mary mix, but I loved K’s instantly. Hand-made, small batch, BIPOC owned. 

It’s so good. SO GOOD. I got some for Carlos, both the Original and the Deep Heat. It’s award-winning, and really… just worth it.

Home

As for Amy Ackerman, I was just strolling by, and then this picture caught my eye.

It’s the one on the bottom left, a woman being embraced by a horned shadowy creature and a translucent ghost creature. And then, the more I looked, the more I fell in love with the art. Instead of spending ALL my budget on a big piece of art, I bought several cards to spread the love to my friends. B

ut… really. I loved so many pieces SO MUCH.

This is exactly what I saw when strolling by Amy Ackerman’s booth at the Nyack Street Fair:

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March 9, 2026 · 11:29 am

March Mayem, April Travels!

Going on Tour with Absolute Genius CAITLYN PAXSON! Plus other stuff!

February is over, and with it all emergencies, surgeries, and recoveries. I am almost, in fact, full recovered. Which is good. Because a lot of stuff is coming up!

For FAWM—February Album Writing Month—I wrote lyrics to 9 songs (9 of the 14, so I didn’t “win” FAWM), and two of them garnered musical collaborations! But I’m into it! I want to do it again next year, possibly with my brothers, if they’ll agree!

I also passed 50K on my novel wip, Saint Death’s Doorway. Trying to amp up the writing in March and get the greater part of the REST of it done.

Meanwhile, things are happening! This week, even. And beyond! BEHOLD!

Wednesday, March 11—Fantastic Fiction at KGB

A night of Fantastic Fiction with guest writers Kristina Ten and yours truly, C. S. E. Cooney

Saturday, March 21st—Negocios Infernales at Shore Gamers!

TTRPG game: 1-5 PM
Infernal Salon: 6-7:30 PM
Play the new TTRPG Negocios Infernales, run by game designers Carlos Hernandez and C. S. E. Cooney, at Shore Gamers in Red Bank, New Jersey! This will be followed by an Infernal Salon, open to all!

What is Negocios Infernales?

A DM-less, diceless, collaborative ROLEPLAYING GAME: “the Spanish Inquisition INTERRUPTED by aliens!” Play a desperate wizard who’s made a devil’s bargain: but the “devils” are ALIENS just trying to save humanity! Instead of dice, use weird, spooky cards to determine your fate!

What is an Infernal Salon?

A fun, low-stakes creativity workshop. You’ll draw one or more cards from the very spooky, PG-13 deck from the TTRPG Negocios Infernales. Then, we set a timer for 25 minutes, and everyone shares what they’ve made! Great for writers, DMs, musicians, and creatives of every stripe.

Monday, March 23—The Power of Poetic Imagination in Our Time

( RESCHEDULED from snowpacalypse)

A panel of poets at Saint John’s University: with Connecticut Poet Laureate Antoinette Brim-Bell, Rhysling Award-nominated poet Ali Trotta, and yours truly, C. S. E. Cooney.

APRIL 7 – APRIL 20th

CAITLYN PAXSON’S BOOK LAUNCH TOUR FOR A WIDOW’S CHARM!

Caitlyn starts her tour in Charlottetown, P. E. I. on March 31st at 7 PM, with Haviland Book Club at Bookmark P. E. I. She writes:

But then I have the UNUTTERABLE pleasure of joining her on the rest of her Canadian and U. S. book launch tour! I get to be her conversation partner and BASK IN HER GLORY!

Caitlyn writes:

I am so excited to chat with Claire at all the Ontario and US tour stops – besides talking about A Widow’s Charm, you can expect us to cover topics such as writer friendships and how they sustain us, creating loveable necromancers, and many other topics!

About A Widow’s Charm

In this witty fantasy romance, a widow attempts to resurrect her dead husband by blackmailing her rakish necromancer neighbor—only to find herself falling for him instead.

“Witty, whimsical, and deeply kind, A Widow’s Charm is beyond charming—it’s wholly enchanting.”

—Alix E. Harrow, New York Times bestselling author of The Everlasting


Lady Hildegarde Croft is accustomed to changes in position. After all, she rose from maidservant to lady of the manor when she married Lord Thorgoode Croft. But when he dies unexpectedly, the plans that would have protected her and the people of Croftholde die along with him. What’s a widow to do?

Potential salvation arrives in the form of Lord Elmwood, who is fleeing the consequences of using his forbidden Charm to raise the dead. Now he’s injured, destitute, and hiding out at the neighboring estate.

For Hilde, blackmailing Lord Elmwood to resurrect Thorgoode seems like the perfect solution. For Elmwood, beautiful Lady Croft seems like the ideal distraction from his troubles. The problem is, all she wants from him is the horrifying power he knows he can never use again.

My blurb for A Widow’s Charm?

“Caitlyn Paxson’s A Widow’s Charm is hair-raising, dead-raising, and utterly arousing. Sexy, absurd, cozy, lovable, hold-on-to-your-pants thrilling. The whole thing charmed the hell out of me. What even is this book? It’s everything I want to read!”

—C. S. E. Cooney, author of World Fantasy Award-winning Saint Death’s Daughter

About Caitlyn Paxson

Caitlyn Paxson has a degree in writing and cultural history and has worked as the artistic director of storytelling performances, a harpist, a book reviewer, a nineteenth century jack-of-all-trades, a shepherdess, and a fake Victorian spirit medium. She lives on Prince Edward Island with her husband and three orange cats. A Widow’s Charm is her first book.

CANADA TOUR

Ottawa, April 7th, 7 PM—Perfect Books
Toronto, April 9th, 7 PM—Hopeless Romantic Books—ticketed event link here
Stratford, April 10th, 7 PM—Fanfare Books

U. S. A. TOUR

Traverse City, April 12th, 2-4 PM—Artemis Books and Goods
Chicago, April 17th, 6:30-7:30 PM—CityLit Books (ticketed event link here, book included!)

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February 22, 2026 · 1:17 pm

Today’s Live! Virtual! Reading: ELDRITCH WINTER

Dear friends, in little over an hour, at 2:30 EST, as the blizzard conditions set in, Carlos and I will be hosting a virtual reading on my twitch channel–twitch.tv/csecooney!

Our Eldritch Horror line-up is amazing. Read more about our readers here!

Mike Allen

Mike Allen writes spooky things — a Publishers Weekly reviewer once called his stories “nightmare fuel.” Two of his collections of horror tales, Unseaming and Aftermath of an Industrial Accident, were nominees for the Shirley Jackson Award. To Mike’s delight, his newest novel, Appalachian horror yarn Trail of Shadows (Broken Eye Books, 2025), has been named a finalist for the 2026 Webster Award — founded to honor the memory of his dear departed friend Bud Webster. Mike’s other novels include the post-apocalyptic swarming-undead sidearms-and-sorcery adventure The Black Fire Concerto. Other stories and poems of his have appeared in Asimov’s Science Fiction, Apex Magazine, Beneath Ceaseless Skies, Best Horror of the Year, Interzone, Nebula Awards Showcase, Strange Horizons, Weird Tales, and more. With his wife Anita, he runs Mythic Delirium Books, home to numerous award-winning and award-nominated sci-fi and fantasy volumes that defy categories and expectations. As an editor and publisher, Mike has twice been a finalist for the World Fantasy Award. Follow him on Instagram @mythicdelirium and Bluesky @mythicdelirium.bsky.social.

Christa Carmen

Christa Carmen is the Bram Stoker Award-winning and Shirley Jackson Award-nominated author of The Daughters of Block Island, Something Borrowed, Something Blood-Soaked, “Through the Looking Glass and Straight Into Hell,” & the forthcoming Beneath the Poet’s House. Find her at http://www.christacarmen.com. 

Sarah Hans

Sarah Hans is an award-winning writer whose stories have appeared in more than 50 publications, including Apex Magazine and Pseudopod. A former special education teacher, she has written numerous books, primarily in the horror and dark fantasy romance genres. You can read along chapter-by-chapter as she writes her newest book at patreon.com/sarahhans. She lives in Ohio with her husband, a varying number of teenagers, more pets than she can afford, and enough craft supplies to keep her busy for the next 200 years. 

Nicholas Kaufmann

Nicholas Kaufmann is the Bram Stoker Award-, Shirley Jackson Award-, Thriller Award-, and Dragon Award-nominated author of numerous works of horror and suspense, including the bestsellers 100 FATHOMS BELOW (co-written with Steven L. Kent) and THE HUNGRY EARTH. His latest is the collection MONUMENTS IN DARKNESS, which celebrates his 25th anniversary as a published author. He lives in Brooklyn, NY.

Cassandra Khaw

CASSANDRA KHAW is the USA Today bestselling and Bram Stoker Award-winning author of The Library at Hellebore, Nothing But Blackened Teeth, The Salt Grows Heavy, Breakable Things, and coauthor of The Dead Take the A Train with Richard Kadrey. They are an award-winning game writer.

Haralambi Markov

Haralambi Markov is a Bulgarian fiction writer and editor with a background in content creation. In 2014, they became the first ever Bulgarian accepted to attend the Clarion Writers’ Workshop. Their short story “The Language of Knives” was long-listed for the Nebula Award for Best Short Story, and their essay “My Father, My Private Monster” made it onto the Bram Stoker Award long list for non-fiction in 2025. Their work has appeared in Reactor, Uncanny Magazine, Evil in Technicolor, Weird Fiction Review, Stories for Chip, Eurasian Monsters, and Fractured Reveries. They were part of the team of BonFIYAH 2021. Mythic Delirium Books will release their debut collection of short fiction, The Language of Knives: Stories, in July 2026. Follow them on Instagram at @somethinghaunted.

S.P. Miskowski

S.P. Miskowski’s stories appear in many anthologies. She’s received two NEA fellowships, multiple award nominations, and This Is Horror Novel of the Year 2017. Recent works: If You Knew Me (Thomas & Mercer), Daughters of Catastrophe (Grimscribe Press), and The Skillute Cycle (Broken Eye Books).

Jeffrey Thomas

Jeffrey Thomas’s books include Punktown, Deadstock, Blue War, The American, and The Idol. He has been a finalist for the Bram Stoker Award and John W. Campbell Award, and his stories have been reprinted in The Year’s Best Horror Stories XXII (editor, Karl Edward Wagner), The Year’s Best Fantasy and Horror #14 (editors, Ellen Datlow and Terri Windling), and Year’s Best Weird Fiction #1 (editors, Laird Barron and Michael Kelly). Thomas lives in Massachusetts

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February 5, 2026 · 11:58 am

February Events: Virtual and Meatspace

(Mirrored from my newsletter)

Event One (virtual)

Fiction: Impossible Presents… Sinister Societies

When?

Monday, February 16th, from 6:30-8:30 PM EST

What is?

A Horror Reading with “The Sinister Six” authors from Ruadán Books’ anthology Sinister Societies: Six Novellas of Secrets and Horrors

Who is?

Cindy O’Quinn is an Appalachian writer. She grew up in the beautiful mountains of West Virginia. She writes fiction, nonfiction, and speculative poetry, which all lean heavily into the horror genre. She is the author of Dark Cloud on Naked Creek. It was Cindy’s fifth Bram Stoker Award nomination that garnered her the prestigious award. Her poetry has been nominated for the Elgin, Rhysling, and Dwarf Star awards.

Errick Nunnally was born and raised in Boston,Massachusetts, he served one tour in the Marine Corps before deciding art school would be a safer—and more natural—pursuit. He is permanently distracted by art, comics, science fiction, history, and horror. Trained as a graphic designer, he has earned a black belt in KravMaga/Muay Thai kickboxing after dark, and first prize in one hamburger contest. Errick’s writing includes: the novels Blood for the Sun, All the Dead Men, and Lightning Wears a Red Cape; a comic strip collection, Lost in Transition; and a short novel The Queen of Saturn and the Prince in Exile from upstart publisher Clash Books. The following are some magazines and anthologies that he has appeared in: Galaxy’s Edge; Fiyah Literary Magazine; Lamplight; and Nightlight, a Black Horror Podcast. Eventually, Errick came to his senses and moved to Rhode Island with his two lovely children and one beautiful wife. Visit erricknunnally.us to see more of his work.

Mercedes M. Yardley is a whimsical dark fantasist who wears red lipstick, and poisonous flowers in her hair. She is the author of numerous works including Darling, the Stabby Award-winning Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love, Pretty Little Dead Girls, Detritus in Love, and Nameless. She is a three-time Bram Stoker Award winner for Little Dead Red, Love is a Crematorium, and “Fracture.” Mercedes lives and works in Las Vegas. You can find her at mercedesmyardley.com.

Michael Burke is the co-founder of the Eisner-award-winning comic and collectible store Comicazi in Somerville, MA. When not sorting the comic stacks at work, Michael can be found at home, releasing the hobgoblins of his mind into story form. He has had several short stories published both online and in print, including The Horror Zine, Monster Fight at the O.K. Corrall, and the ‘80s-themed anthology, Totally Tubular Terrors. He also has a weird western novella, Last Sunset of a Dying Age, in Crystal Lake’s Dark Tide series and a small sword and sorcery collection, Fragments of a Greater Darkness, from Tule Fog Press. Michael is a member of the New England Horror Writers’ Association and lives outside of Boston, MA with a patient wife in a house with more books than he can possibly read, which doesn’t stop him from acquiring more. He continues writing every chance he gets.

Tom Deady‘s first novel, Haven, won the 2016 Bram Stoker Award for Superior Achievement in a First Novel. He has since published several novels, novellas, a short story collection, and the first book in his middle grade horror series. Most recently, he released The Rack II, a follow-up to the popular anthology The Rack, themed around celebrating the bygone days of mass market horror paperbacks. He has a master’s degree in English and Creative Writing and is a member of both the Horror Writers Association and the New England Horror Writers Association. You can find out more about Tom and his work at www.tomdeady.com.

Sarah Read is the Bram Stoker Award-winning author of The Bone Weaver’s Orchard, Out of Water, Root Rot & Other Grim Tales, and The Atropine Tree. She lives in northern Wisconsin where she works as a public librarian, knits, and collects stationery and pretty rocks. Visit her at authorsarahread.com.

All the ways to follow it/find out more about it:

Eventbrite:

Register on Eventbrite


Instagram: @ruadanbooks

Facebook: https://www.facebook.com/share/p/1CNwgfBMEa/

Bluesky: https://bsky.app/profile/ruadanbooks.bsky.social

Threads: https://www.threads.com/@ruadanbooks/post/DURvX1qDfyL

Event Two (virtual)

Eldritch Winter: An Afternoon of Horrors

When? 

Sunday, February 22nd, from 2:30-4:30 PM EST

What is?

A Horror Reading with many of my Dark-Arts Friends! With bonus COVER REVEAL of Haralambi Markov’s upcoming short story collection The Language of Knives

Who is?

I’ll post their full bios later as we get closer to the event, but here are the stars:

Mike Allen
Christa Carmen
Sarah Hans
Nicholas Kaufmann
Cassandra Khaw
Haralambi Markov
S.P. Miskowski
Jeffrey Thomas


Event Three (meatspace)

The Power of Imagination in Our Time

St. John’s University’s second Storytelling event: The Power of Poetic Imagination in Our Time, a discussion moderated by me featuring poets Ali Trotta, C. S. E. Cooney, and Antoinette Brim-Bell

Thank you so much for reading! 

Yours truly, 

C. S. E. Cooney

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February 2, 2026 · 11:42 am

FAWM 2: Golden Chanterelle

Yesterday, we made our characters for a short-shot DND game my sister-in-law is DMing for us over the next few weeks. I’d never played a Druid, so I chose that class–Circle of Spores, baby! BECAUSE MUSHROOMS! (And decay!) (Thus, I named my character “Golden Chanterelle.” Possibly “Chant” for short. Or “Goldie.”)

And I love Changelings, so that’s the race I chose. I like shapeshifting, not only into animals but other things as well.

Background is “Feylost”–also a first for me. I love a girl who falls through a mushroom circle. And it’s sort of backwards for Changelings, isn’t it? Shouldn’t it be the other way around?

So anyway, I figured I’d write today’s FAWMling song à la D&D, in the manner of my people. (My people being specifically… Dr. Mary Crowell, of “I Have Missed You at My Table” and “I Put My Low Stat.”)

I think I’ll spend the first half of the month writing lyrics, and then the second half of the month working up melodies or collaborating for them.

Golden Chanterelle

Whiff of nectar, golden-sweet
Smell of honey, dripping mead
Draw too near, you might find more
Breathing in her cloud of spore

She is Golden Chanterelle
Coat of moss and fairy bells
Fell asleep and fell through worlds
Now she walks, a wild girl

Under hemlock, under fir
You might find a trace of her
Look again, she’ll disappear
Misty-stepping far from here

She is Golden Chanterelle
Coat of moss and fairy bells
Fell asleep and fell through worlds
Now she walks, a wild girl

Giant boar and wild bear
Tiger, spider, goat, or hare
Chanterelle is girl and beast
Isn’t anybody’s feast

She is Golden Chanterelle
Coat of moss and fairy bells
Fell asleep and fell through worlds
Now she walks, a wild girl

BRIDGE

What can she protect?
What can she preserve?
Whom is she looking for?
Whom will she serve?

Hungry to connect
Afraid to be seen
Shy in the shadows
She hides in the green

She is Golden Chanterelle
Coat of moss and fairy bells
Fell asleep and fell through worlds
Now she walks, a wild girl

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January 13, 2026 · 7:40 am

Not Yet Dawn, 13 Days into the New Year

First letter of the New Year. (Mirrored from my Substack Newsletter.)

The Burger Meme Personality Test

Dear Readers,

I will begin by upholding the shining beacon of mi esposo, Carlos Hernandez—YEA EVEN HE OF SAL AND GABI FAME! HE OF MARVEL AND DISNEY AND THE ASSIMILATED CUBAN’S GUIDE TO QUANTUM SANTERIA—who currently has a bonkers, hilarious game currently entered into the “Interactive Fiction Short Games Showcase 2025.”

It’s called “The Burger Meme Personality Test.” It’s a satire.

You can play it here on itch.io and rate it on the showcase here!

So far my favorite responses to his game are “I think it was designed by three Harvard Lampoon students in a trenchcoat.” And “LMAO what did I just play?”

You can play—AND RATE!—this game—AND OTHERS—at the links above! Go! Play! Have fun!

“body my house
my horse my hound”

Without, the world is afire.

Within, we strive to remain engaged, stay informed, do our work, help where we can.

I’m still getting back into work habits that hosting for almost a month of (wonderful) holiday house guests (I include my birthday as the first holiday) had interrupted.

I work on my novel. I read books to blurb, and also for pleasure (when I can!). I narrate audiobooks when the work comes my way. I love it all.

I had been taking voice lessons the past two years with Kiara Duran of Sing by Feel. She’s given me so many incredible tools to enrich this curious instrument of mine! So many joyful noises we make. So much breathing into the strange sea creature of our secret selves. I’m on pause for the moment, but I love taking all I was taught and trying to apply it, not just to singing, but being in the world.

But also to singing. Trying to sing old songs in new ways.

What does the year look like from the vantage of January?

Of note: I am officiating two weddings, one in May, one in December. (It’s like a TROPE!)

I have a book due in August—the third of the Saint Death trilogy. The completion of eighteen (?!) years’ work.

BEST! Some of our darling, erstwhile Banjo Apocalypse Crinoline Troubadours—Amal and Caitlyn!—BOTH have books coming out!

Amal El-Mohtar, C. S. E. Cooney, and Caitlyn Paxson: an iteration of the Banjo Apocalypse Crinoline Troubadours at Ottawa’s The Mercury Lounge in 2014

The books? Amal’s collection Seasons of Glass and Iron from Tor, and Caitlyn’s A Widow’s Charm. I’m gonna hop over to Canada and be Caitlyn’s conversation partner for some of her DEBUT TOUR!

I think Amal will be traveling abroad at the time, and her US tour is mostly West Coast this year, but we live in hope of crossing paths at some point. FaceTime must sustain us!

Oh, and…

We are taking Negocios Infernales on tour!

The INFERNAL TOUR!

Don’t know about Negocios Infernales?

It’s diceless, GM-less collaborative roleplaying game! The tagline: “The Spanish Inquisition… INTERRUPTED by aliens!”

You can find it at Outland Entertainment: https://outlandentertainment.com/products/negocios-infernales?variant=43864282497160

Or… you COULD bat your eyes at your local game store and ask THEM to carry it?

Would you? Would you, please?

Carlos and I are hoping to make a lot of mini-road trips this year on our Infernal Tour, traveling to places where we have gamer friends who have even MORE gamer friends, and ALSO hopefully a good relationship with their local game stores.

We’d love to RUN Negocios Infernales for them (for YOU? Potentially?) as their (YOUR?) sort of Living Rulebook

In Negocios Infernales, there’s no GM, as the game is collaborative, but we can guide people through their initial play. And, hopefully, get local game stores excited to carry it and talk about it!

I’m taking a break from cons this year—with the exception of the GenCon Writers Symposium. We’ll be doing writing SFF panels by day, running Negocios Infernales by night.

Therefore, the Midwest portion of our Infernal Tour will probably both precede and follow GenCon. It’ll probably consist of something in that general Indiana area, as well as the Chicago and Minneapolis/St. Paul areas, where more community (and game stores!) abound!

Plans are still fluid. If you’re in those areas, and love to game, let’s talk!

Falling in Love with Reading, Again and Again

Currently reading: an arc of Rym Kechacha’s The Apple and the Pearl, out at the beginning of next month from Penguin Random House.

I am so moved by it! The time signature of it—an interwoven character-and-mood pace that builds the plot out of many small tensions and drives!

And the weird, interstitial magic of a road-world, a train-track-world, that picaresque place between the Earth we know and all the realms we don’t.

And the Crow! And the ghosts! And the hungry Fae! The smell of peaches…

And the deep-dive into each character so you think THEY’RE the protagonist—and they are! It’s a TRUE ensemble piece!

And the whole phantasmagorical MIASMA of its ineffable ambience.

This book is INFUSED. Like HBO’s Carnival meets The Night Circus meets Something Wicked This Way Comes, but like none of those. Like nothing else!

I’ve also just finished Haralambi Markov’s The Language of Knives and other Bodily Ruins, forthcoming from our beloved Mythic Delirium.

Cover reveal is TBA! (Publisher Mike Allen cheated and showed me early though. I know. I’m SO LUCKY.) I do have my blurb I wrote for it, and that is this:

“Haunted and horny, melancholy and mysterious, Haralambi Markov’s The Language of Knives and Other Bodily Ruins is occasionally like being flayed on the inside of your eyelids, but in a good way. So weird. So queer. So nauseating. And so, so beautiful.”

And so, with that, I leave you, friends—

Yours Truly,

C. S. E. Cooney

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December 21, 2025 · 8:26 pm

Next Fiction: Impossible, starring ZIG ZAG CLAYBOURNE!

Author of the Khumalo Series!

Who is ZIG ZAG CLAYBOURNE??? OF COURSE YOU ALREADY KNOW!

But if you don’t, I’ll tell you again, with GREAT GLEE AND WHIMSY AND HUMOR AND WISDOM AND AWE.

Oh, wait. I’m just describing Zig Zag’s writing now!!!

And THIS MAN? ZIG ZAG? He’s gonna be our next guest star on FICTION: IMPOSSIBLE. Stream his glory live—Monday night, December 22nd—at 7 PM EASTERN! On my Twitch channel: twitch.tv/csecooney

And now for the official writ:

Named by Book Riot as one of the “6 Black Indie Science Fiction and Fantasy Writers You Should Be Reading,” Zig Zag Claybourne is the author of the newly released fantasy Amnandi Sails and its prequel Breath, Warmth, and Dream. Other novels include The Brothers Jetstream: Leviathan, Afro Puffs Are the Antennae of the Universe, and By All Our Violent Guides. His stories and essays have appeared in The Magazine of Fantasy & Science Fiction, Apex, Realm (formerly Serial Box), Galaxy’s Edge, Strange Horizons, The Year’s Best African Speculative Fiction, and numerous anthologies. Claybourne is a frequent speaker at libraries, conventions, and learning institutions. zzclaybourne.com

I’m just saying, I love this guy.

I love him as a human, as a leader/teacher/poet/master of the SFF community, and as an artist. Even his Facebook posts are art. Even his Bsky posts. He’s just like that. He just walks the Earth like one of those giants you read about other people standing on the shoulders of.

Oh, and?

Sometimes I dress up like his books:

Do join us—either live, in the chat! Come with questions! Come with enthusiasm! Or watch later on YouTube!

You wanna catch up with previous Fiction: Impossibles? This is where they usually land:

https://youtube.com/playlist?list=PLwOu4S8cPElCGzAPECHgrHE3zNuToNwCP&si=evmuzuUn5VvXSLT8

Yours Truly,

C. S. E. Cooney

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November 3, 2025 · 9:23 pm

What am I even thinking?

There’s a poetry festival in New Jersey I’ve never even heard of. But now I want to go to it. This big deal poetry festival. Geraldine R. Dodge Poetry Festival. Carlos said he went once in the 90’s. I have FOMO. For something he did in the 90’s. I met a poet tonight who used to help run it. Looks like there’s a lot more to it these days: https://www.njpac.org/series/dodgepoetry/ Maybe there’s not even a festival like there used to be. But it does remind to me to see what the Nuyorican Poets Cafe is up to.

I’ve been having more thoughts like that recently. Things I want to do. Idle fantasies.

Like, I want to go bowling. It happened suddenly, like the way I hated salt and vinegar chips until one day, I just wanted them. Like, my mouth watered for them. Bowling. I mean, I’ve never actively desired to go bowling before. I’ve been a few times over my four decades, and I generally had fun, but I never actively sought it out. And now I want to.

But I don’t want to go Manhattan bowling. I want to go New Jersey bowling. Or Westerly bowling. (The last time I did that, we all got dressed up in costumes and face paint for my friend’s birthday, and bowled like that. Just a bunch of grown-up goofballs partying in bowling shoes.) I just want to go somewhere where they’ve had a bowling alley for, I don’t know, 50 years at least. And you take your kid there for a birthday party. And there are bowling leagues. And a cup of coffee doesn’t cost NINETEEN DOLLARS. Or whatever the going rate is. Not that I drink coffee. But you see what I mean?

A friend of mine’s husband was a part of a stand-up comedy night in Manhattan, and we went to see it while a friend was visiting a couple weeks ago. All three of us had had varying degrees of experiences with stand-up comics, very few of them good. But, you know. THIS time might be different. And we’d all been watching Dropout TV, which really gives you high hopes and expectations for improv and comedy and gaming and just joy in general.

And the stand-up night was… fine. Just fine.

My friend’s husband was the best part, we thought. Didn’t punch down. Wasn’t just flat-out depressing. Or mean. Or meh. He just talked about fun, queer, sexy stuff–the comedy of self, of family, of identity–and it was nicer than being made fun of.

That’s the thing about stand-up comedy: half of it is belittling the audience for not being a better audience, or for being weird-looking. More than half maybe. (Even Dropout’s new stand-up show “Crowd Control” is not innocent of this.) (Not that it needs to be; comedy is many things, many flavors.) (It’s just, I don’t like most of the stand-up that I’ve seen for the aforementioned reasons.)

But I don’t regret going. It broke the pattern of NOT going out. It was something new. Something at night. I like that.

I’m off to a friend’s wedding in New Orleans this weekend on a whirlwind visit, then taking an early, early flight back, and–if all goes well!–hopefully be in time to see the Shakespeare SlayFest that my play is in. Mine is the last show in the line-up, so I may even have some wiggle room to be late. But I hope I’m not.

I was telling Carlos that there are times I feel like I’m having a very “New York Moment.” And I can never tell when I’m going to have one, usually. It often has to do with seeing a show. Or, in this case, being in one. I say this as I’m having a Queens moment: writing in my blog at night, looking out the window, thinking of the city that never sleeps, about 7.1 miles to the west.

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