There’s a poetry festival in New Jersey I’ve never even heard of. But now I want to go to it. This big deal poetry festival. Geraldine R. Dodge Poetry Festival. Carlos said he went once in the 90’s. I have FOMO. For something he did in the 90’s. I met a poet tonight who used to help run it. Looks like there’s a lot more to it these days: https://www.njpac.org/series/dodgepoetry/ Maybe there’s not even a festival like there used to be. But it does remind to me to see what the Nuyorican Poets Cafe is up to.
I’ve been having more thoughts like that recently. Things I want to do. Idle fantasies.
Like, I want to go bowling. It happened suddenly, like the way I hated salt and vinegar chips until one day, I just wanted them. Like, my mouth watered for them. Bowling. I mean, I’ve never actively desired to go bowling before. I’ve been a few times over my four decades, and I generally had fun, but I never actively sought it out. And now I want to.
But I don’t want to go Manhattan bowling. I want to go New Jersey bowling. Or Westerly bowling. (The last time I did that, we all got dressed up in costumes and face paint for my friend’s birthday, and bowled like that. Just a bunch of grown-up goofballs partying in bowling shoes.) I just want to go somewhere where they’ve had a bowling alley for, I don’t know, 50 years at least. And you take your kid there for a birthday party. And there are bowling leagues. And a cup of coffee doesn’t cost NINETEEN DOLLARS. Or whatever the going rate is. Not that I drink coffee. But you see what I mean?
A friend of mine’s husband was a part of a stand-up comedy night in Manhattan, and we went to see it while a friend was visiting a couple weeks ago. All three of us had had varying degrees of experiences with stand-up comics, very few of them good. But, you know. THIS time might be different. And we’d all been watching Dropout TV, which really gives you high hopes and expectations for improv and comedy and gaming and just joy in general.
And the stand-up night was… fine. Just fine.
My friend’s husband was the best part, we thought. Didn’t punch down. Wasn’t just flat-out depressing. Or mean. Or meh. He just talked about fun, queer, sexy stuff–the comedy of self, of family, of identity–and it was nicer than being made fun of.
That’s the thing about stand-up comedy: half of it is belittling the audience for not being a better audience, or for being weird-looking. More than half maybe. (Even Dropout’s new stand-up show “Crowd Control” is not innocent of this.) (Not that it needs to be; comedy is many things, many flavors.) (It’s just, I don’t like most of the stand-up that I’ve seen for the aforementioned reasons.)
But I don’t regret going. It broke the pattern of NOT going out. It was something new. Something at night. I like that.
I’m off to a friend’s wedding in New Orleans this weekend on a whirlwind visit, then taking an early, early flight back, and–if all goes well!–hopefully be in time to see the Shakespeare SlayFest that my play is in. Mine is the last show in the line-up, so I may even have some wiggle room to be late. But I hope I’m not.
I was telling Carlos that there are times I feel like I’m having a very “New York Moment.” And I can never tell when I’m going to have one, usually. It often has to do with seeing a show. Or, in this case, being in one. I say this as I’m having a Queens moment: writing in my blog at night, looking out the window, thinking of the city that never sleeps, about 7.1 miles to the west.
Happy eve of All Hallow’s Eve. It’s a blustery, silvery one out there today.
I’ve been looking forward to this day for more than a month, because my best friend Mir and I have been trying to find a way to see each other in her busy, busy schedule and tonight is the NIGHT!
We are going to the Great Jones Spa, which my friend Judy the Engineer introduced me to earlier this year. I love it because it has WATERFALLS. And a HOT TUB. And Mir is a MERMAID, so I like to give her water things whenever I can. Especially when she’s been working one billion hours a week.
Also, because… one of the reasons Mir’s so busy is that she’s DIRECTING MY PLAY!
Well, that and she ASLO works two incredible jobs: at LaMama Experimental Theatre Club as Community and Educational Coordinator; and at DVP—Dances for a Variable Population—as Program and Events Manager. (DVP, by the way, has one of my favorite mission statements of all time. I love what they do.)
Oh, Mir’s full name is Miriam Grill, by the way. The Notorious, Infamous, ILLUSTRIOUS Miram Grill. She’s a hotshot director. Yeah, baby. And a genius. So that’s awesome.
Mir and I went to high school in Phoenix together lo these 20 years ago. Then we both had many adventures and lived many places. Me, in Chicago and Rhode Island. Her, in China and Taiwan.
Back in the 20-teens, Mir moved to NYC to go to graduate school at Columbia University for Directing, and I moved here to marry Dr. Doctorpants (Carlos Hernandez). So for the last eight years, we’ve FINALLY been living in the same city (and country). We even lived together during the heart of the pandemic, which was hilarious—in its idiosyncratic, often difficult, but very dear way.
But even living in the same city, it’s STILL super hard to see each other, because these little islands with their little boroughs are actually QUITE VAST and MISCHIEVOUS, and they often like to tangle with the space/time continuum IMHO.
But back to my play!
I wrote Hey Nonny Nonny! off a prompt from the Red Bull Theatre short play festival, on the theme “Defiance.” While it didn’t make the cut there, it still brought me great delight to defiantly take the only four female characters from Shakespeare’s Much Ado About Nothing, and give them a little something more to do.
(Something more interesting than wallowing in virginal victimhood and furious helplessness.)
Call it a missing scene. Call it a feminist revision. Call it an invocation of Diana the Huntress 400 years later. As you like it.
In 2024, the SlayFest won New York City’s “BEST SHAKESPEARE FESTIVAL” award. This year, it’ll be held at the Atelier at TheatreLab NYC.
It’s sexy. It’s subversive. It’s SKULLDUGGALICIOUS. What can I say?
It’s also free. Tickets have SOLD OUT. This is great. You know what’s also great? DONATIONS! If we get enough, we can mount FULL PRODUCTIONS, not just staged readings, NEXT YEAR.
Now, I know you’re sad that you won’t be able to make it this year. Well, some of you can’t. Probably most of you. That’s okay. Like Delia Sherman likes to say, “We cannot live all lives”—a phrase I’ve found VERY USEFUL as an adult, and also as a New Yorker.
But I wanted to say that one of the other playwrights from the SlayFest—Martin Jude Farawell—as well as Grant Leopold Cartwright, the SlayFest’s Artistic Director, and the FABOOSHIEST Carla Kissane, Producing Director—will be joining me on my TWITCH CHANNELthis coming MondayFOR A PANEL!
You know all the info from our previous invites—but Imma tell you anyway!
This is Carla Kissane’s and Isaac Raz’s “Sonnets and the Self” show, another jewel of the SlayFest—and NOT to be missed!
I can promise you the panel will be be lively and informative, and possibly HILARIOUS. I’ve not yet met ANY of my fellow playwrights, so it’ll be a treat for me to chat with Martin.
Also? I ADORE Carla and EVERYTHING she does. And I’m pretty sure I love Grant too, though I’ve only met him a few times. But I mean, come on. WHAT’S NOT TO LOVE???
I hope to see you there on Monday night! If not, I’ll report back after the SlayFest and tell you ALL!
An Infernal Salon is a fun, low-stakes writing workshop. Participants are given spooky card prompts, and then we set a timer for 25 minutes. Everyone writes something (or draws! Or composes!). Then everyone who’s comfortable with it shares their infernally-inspired works!
Saturday 2-2:50 PM, Brimstone Rhine Concert
With Carlos Hernandez and Jeremy Cooney
Saturday 5 pm: Writing SF and Fantasy Poetry [Commonwealth East]
Mary Soon Lee, Herb Kauderer, Mary Turzillo, C.S.E. Cooney
Logo for C. S. E. Cooney’s Twitch channel created by Brett Massé
Dear Community,
Recently, my friend Liz Pino Sparks and I slid into our DMs to share some of our local joys and goings on, and also to lament the world horrors we all have been witnessing. We wanted, so badly to do something.
So we decided to host a night of poets reading their work: to raise our spirits, and more: to raise awareness and funds for World Central Kitchen, which does such great and good and beautiful work in communities “impacted by natural disasters and humanitarian crises.”
We named a night: Friday, June 27th, from 8 PM to 10 PM, Eastern. (7 PM-9 CENTRAL, 6 PM-8 Mountain, 5 PM-7 Pacific.)
I’ve known Liz and their spouse Ethan since our high school days at Arizona School for the Arts. Ethan and Liz know many poets from their years of art and education. I, too, know many poets–mainly speculative ones!–and we reached out broadly to ask them to read with us.
I’m so happy to be meeting some of these wonderful people for the first time on Friday, June 27th, and so excited to introduce my poet friends to Liz and Ethan and their poet friends!
And I am so, so fiercely glad that we are setting a goal: to raise $500 for World Central Kitchen that night.
I set up a page–https://donate.wck.org/poetsforwck–since WCK is so kind and made it so easy, both through their website, and a lovely responsive email to my query.
Look! We’re already a 10th of our way to our goal!
We will stream this event live on my twitch channel: twitch.tv/csecooney, and you don’t need a twitch account to stream us. But! If you want to join the chat, and applause in words and emojis, and type out all your favorite lines as you hear them (I love doing this), please grab yourself a twitch handle, and join us!
And now, I am pleased to introduce you to our poets!
Erik Amundsen is an author and poet whose work has appeared in Clarkesworld, Weird Tales, Strange Horizons, Apex, and Jabberwocky. He has been removed from display for being biologically improbable or terrifying to children.
Allisa Cherry, author of An Exodus of Sparks and the 2024 Wheelbarrow Books poetry prize winner, has work in journals such as EcoTheo, The McNeese Review, TriQuarterly, and The Penn Review. Based in Portland, she teaches classes and workshops for immigrants and refugees and is a poetry editor at West Trade Review.”
Drs. Sara Cleto and Brittany Warman are folklorists, teachers, and writers who co-founded The Carterhaugh School of Folklore and the Fantastic, where they teach creative souls how to re-enchant their lives through folklore and fairy tales. They also write an absurd amount of poetry together, which you can read in Uncanny, Star*Line, Clarion, and many others.
Gerald L. Coleman is a philosopher, theologian, poet, Science Fiction & Fantasy author, Co-founder of the Affrilachian Poets, and a Fellow at the Black Earth institute. His poetry and essay collections include Nappy Metaphysic, On the Black Hand Side, and the forthcoming Incendiary. His novels include the epic fantasy series, The Three Gifts. Follow his Patreon and his website. Patreon: https://geraldcoleman.com/patreon-and-projects Website: https://geraldcoleman.com/
C. S. E. Cooney is a two-time World Fantasy Award-winning author whose books include Saint Death’s Daughter, Saint Death’s Herald, Dark Breakers, Desdemona and the Deep, The Twice-Drowned Saint, and Bone Swans: Stories. Her Rhysling Award-winning poem is found in her poetry collection How to Flirt in Faerieland and Other Wild Rhymes. She is also game designer, an audiobook narrator, and the singer-songwriter Brimstone Rhine. Find her on social media via her LinkTree https://linktr.ee/csecooney.
Jennifer Crow‘s poetry and prose have been published in a wide range of venues over the past quarter-century. Her poems have appeared in Analog, where two were finalists for the AnLab reader awards; Asimov’s Science Fiction, Uncanny Magazine, and others. Curious readers can learn more about her and her work on Patreon, where she posts under “Poetry from a Crow.” Find here: https://www.patreon.com/c/poetrycrow/posts
McKenna Deen (she/her/hers) is the Editor-in-Chief of boats against the current, a poetry magazine that highlights the voices of women, LGBTQ writers, and poets from underrepresented backgrounds. Her chapbook Ever Yours, Vincent — about the life and art of Vincent van Gogh — was published by dancing girl press. Her poems have been published in several journals and poetry magazines, including The Poet, The Los Angeles Review, and Ekphrastic Review, among others. She lives in Portland, Oregon, with her husband and two cats and loves photography, fresh flowers, and wine.
Adam Deutsch is the author of a full-length collection, Every Transmission (Fernwood Press). He has work recently in Poetry International, Thrush, Puerto Del Sol, Alchemy, Broken Lens Journal, and South Dakota Review, and has a chapbook called Carry On (Elegies). He’s a Professor in the English Department at Grossmont College and is the publisher of Cooper Dillon Books. He lives with his spouse and child in San Diego, CA. AdamDeutsch.com
Gwynne Garfinkle lives in Los Angeles. She is the author of a novel (Can’t Find My Way Home) and two collections (Sinking, Singing and People Change), all published by Aqueduct Press. Her fiction and poetry have appeared in such publications as Strange Horizons, Fantasy, Uncanny, and Escape Pod.
Tina Hyland holds a Ph.D. in Literature, an MFA in writing and teaches at the Culture, Art & Technology program at UCSD.
Grant Leuning is a poet and visual artist. He is the author of two books of poetry, I Don’t Want to Die in the Ocean and Little Bird, among other things.
Caitlyn Paxson is a writer, performer, and historical interpreter. She has worked as an artistic director of storytelling performances, a book reviewer for NPR Books and Quill & Quire, a fiber arts consultant, a legal document and poetry transcriber, a 19th century jack of all trades, and a shepherdess. She currently interprets haunted historic house museums on Prince Edward Island and moonlights as a fake spirit medium. Her debut novel, A Widow’s Charm, is forthcoming from Del Rey, Doubleday Canada, and Quercus Books in 2026. You can also find her on Instagram or join her monthly newsletter, Book & Bramble.
Silvatiicus Riddle (He/They) is a 4x Rhysling-nominated Dark Fantasy/Speculative Fiction Writer & Poet haunting the bones of an old amusement park on the edge of New York City. His work has appeared or is forthcoming in: Strange Horizons, Apex Magazine, Enchanted Living, Eternal Haunted Summer, Spectral Realms, and Creepy Podcast, among others. He combats despair and entropy with his newsletter, The Goblin’s Reliquary. For all available works, please visit: http://linktr.ee/silvatiicusriddle
Julia Rios (they/them) is a queer, Latinx writer, editor, podcaster, and narrator whose fiction, non-fiction, and poetry have appeared in Latin American Literature Today, Lightspeed, and Goblin Fruit, among other places. Their editing work has won multiple awards including the Hugo Award. They’ve narrated stories for Escape Pod, Podcastle, Pseudopod, and Cast of Wonders. Find out more at juliarios.com.
David Sklar is thrilled to have survived this long but isn’t sure what to do next. His work has appeared in some journals you’ve heard of, some journals you haven’t, and some that might somehow be both. You can learn more about David at http://davidsklar.blue
Ethan W. Sparks is a graduate of the UCSD writer’s graduate program, a graduate of the USC Rossier School of Education, and a public school teacher practicing inclusive and activist methodologies of teaching. They are a father of five, a published poet and musician, and a survivor of homelessness spanning the cityscapes of Los Angeles, CA, Cleveland, OH, and Phoenix, AZ. Their writing focuses on the human diasporic moment of separation from safety in personal and collective apocalypses, on the injection of love as decolonizing affect into education, and on the personal growth that surviving traumas inspires. Ethan’s work has been featured in The Allegheny Review, UCSD’s New Writer’s Series, Now That’s What I Call Poetry reading series, Amor Forense: birds in shorts city, una antologia de cuerpos escribiendo en san diego, and is the author of the chapbook, How to Home from Boats Against the Current magazine.
Liz Pino Sparks is a cross-genre writer, legal scholar, teacher, musician under the name Liz Capra, and a parent of five. They have made homes in: Post Soviet Russia, next to the steel mills of the Cuyahoga River, in the Sonoran Desert, and next to the Pacific Ocean. Liz is a proud grandchild of an Isleta Pueblo grandmother, a Sicilian immigrant grandmother, and generations of New Mexican Rancheros. They hold an MFA from San Diego State University, a JD from CWRU School of Law, and an LLM from CSU. Find their recent collection Generic American Household at Boats Against the Current.
Adam Stutz is a neurodivergent poet whose work has appeared in various print and online publications including The Equalizer: Second Series, White Stag, The Cultural Society, A Sharp Piece of Awesome, Prelude, Be About It, Deluge, Dum Dum Zine, The Pinch, Where is the River, Dream Pop, Cover, and Ghost Proposal. He is the author of the chapbook Transcript (Cooper Dillon Books, 2017) and The Scales (White Stag Publishing, 2018). He currently resides in Los Angeles, CA.
Hanna Tawater is the author of the poetry collections VOID (White Stag, 2022) and Reptilia (Ayahuasca, 2018). She completed her MFA in writing with focus on interdisciplinary poetry at UC San Diego, where she now teaches. Her work has appeared in various publications, both online and in print. She lives in San Diego with entirely too many cats.
Jessica P. Wick is a writer, poet, and editor. She co-founded Goblin Fruit with Amal El-Mohtar, a quarterly e-zine of fantastical poetry, and is a passionate advocate for the reading aloud of poetry and fiction. Her poetry has been nominated for the Rhysling Award and received honorable mentions in Year’s Best Fantasy and Horror anthologies. Her short fiction can be found scattered across the internet, and her experience as an editor runs the gamut, from full-length novels to short fiction, poetry collections to magazine articles, academic papers to audio works. She also reviews books for NPR. She currently lives in Westerly, Rhode Island.
I did have a few things published in 2024. But mostly I was… “finishing the hat.” I mean the novel.
Some pieces were exclusive releases, like my story in the Origins Game Fair Anthology Trove of Legacies, as well as the memorial anthology All in Among the Briars that Julia Rios edited in order to help a dear friend in our SFF community with her mama’s funeral expenses. Fathoms in the Earth is a gorgeous print anthology, but Orange and Bee Issue 2 is online!
I would love to find a reprint home for “With Wings of Crystal” one day. It was one of my stories–like “Catharsis” from Rogue Artists, soon to be re-released in Carlos’s and my collection Infernal Bargains–inspired by the world of Negocios Infernales. I didn’t write “With Wings of Crystal” in time to include in our collection, alas! It inspired a romantasy novel idea that my friend Caitlyn really wants me to write.
Oh, yes. And in December 2024, after I initially wrote this, a whole new collection came out—a collaboration between Carlos and me: INFERNAL BARGAINS, short stories and poems inspired by the Deck of Destiny!
Dear friends of Speculative Fiction, Indie Presses, the Weird, the Wild, and the Wonderous, greetings!
It is the 26th Anniversary of Mythic Delirium Books, a micropress run by Mike and Anita Allen, that specializes in speculative fiction and poetry, with a penchant for writing that’s challenging to classify.
In the past, the imprint provided homes to Mythic Delirium, a digital journal of fiction and poetry, and Clockwork Phoenix, a critically-acclaimed anthology series that showcased stories that don’t easily fit within standard market boundaries.
Please join us! Free tickets available on Eventbrite for our Celebratory Zoom Reading! Free! Virtual! 2 years with an Indie Press specializing in the Beautiful and Strange!
Sign up at our Eventbrite page below to receive reminder emails and the Zoom link!
Guess who’s reading? Nah, JK. You don’t have to guess! I’ll just tell ya!
Mythic Delirium 26th Anniversary Author Bios!
Born and raised in upstate New York, Amy Aderman enjoys fairy tales, research, and tea. Her fantasy short stories have most recently appeared in the “From the Lockdown” contest by Rochester Speculative Literature Association, Mythic Delirium, and the anthology “Ain’t Superstitious.”
Anita Allen is an enigma. She is a small Press publisher, editing books and short stories with her husband for Mythic Delirium books. She has a handful of writing publications. She is also an artist who has had her own shows and sold work internationally as well as done illustrations and cover art for several small press magazines. She is a semi retired competitive costume designer holding the rank of craftsman.
Given her druthers she would prefer to spend her days listened to rain on a tin roof or breezes through the pines, painting, sculpting and creating things with fabric all while living in a stone cottage deep in the woods growing moss, studying philosophy, drinking tea and playing with her pets. Instead, she lives in a tiny house beneath giant oak trees in the heart of the city. Somehow managing all of the aforementioned things while occasionally filling in as an adjunct reader for various writing projects her beloved is working on.
Mike Allen has written, edited, or co-edited thirty-nine books, among them his new horror collection, Slow Burn. His first two volumes of horror tales, Unseaming and Aftermath of an Industrial Accident, were finalists for the Shirley Jackson Award for Best Story Collection, and his dark fable “The Button Bin” was a nominee for the Nebula Award for Best Short Story. As an editor and publisher, he has twice been a finalist for the World Fantasy Award. Ruadán Books intends to publish Mike’s sidearms, sorcery, and zombies sequence The Black Fire Concerto and The Ghoulmaker’s Aria in 2025 and 2026, respectively. With his wife, Anita, he runs Mythic Delirium Books, based in Roanoke, Virginia. Their cat Pandora assists.
Marie Brennan is the Hugo, Nebula, and World Fantasy Award-nominated author of the Memoirs of Lady Trent, the Onyx Court, other fantasy series, several poems, and over ninety short stories. As half of M.A. Carrick, she’s also written the Rook and Rose trilogy. Find her at swantower.com and on Patreon.
Edith Hope Bishop writes fiction, poetry, and music. She grew up in South Florida and spent several years in the Northeast, but her home for more than twenty years now has been the Pacific Northwest. She proudly holds degrees from both Harvard and Columbia Universities. She’s worked as a public school teacher, curriculum developer, and school volunteer. She’s mom to two teens and one schnoodle. With her partner, Edie publishes music as Foulweather Bluff. She loves to make elaborate costumes for her whole family and is fond of photography, beachcombing, gardening, and live theater. When she isn’t making art, volunteering in her community, or spending cherished time with family and friends, she can usually be found on, in, or near a body of salt water. Edie is currently hard at work to launch Songborne & Seabound Press in 2025.
Novelist, poet, and community organizer Leah Bobet works where climate fiction, the counterfactual, and food sovereignty meet. Her latest novel, An Inheritance of Ashes, won the Sunburst, Copper Cylinder, and Prix Aurora Awards and was an OLA Best Bets book; her short fiction is anthologized worldwide. Her poetry has appeared in Grain, Prairie Fire, and Canthius, and has shortlisted for the Prix Aurora Award and the Muriel’s Journey Poetry Prize. She edited poetry for the Utopia Award-winning 2021 issue of Reckoning: creative writing on environmental justice, read for Grist’s Imagine 2200 contest, and is studying food security policy at Toronto Metropolitan University. She lives in Toronto, where she makes jam, builds grassroots infrastructure projects, and plants both tomatoes and trees. Visit her at leahbobet.com.
Beth Cato is the author of the Chefs of the Five Gods duology with 47North and The Clockwork Dagger series and the Blood of Earth trilogy with Harper Voyager. She was a 2015 Nebula Award finalist in the novella category. Her short stories and poetry can be found in hundreds of publications, including Fantasy Magazine, Escape Pod, Uncanny Magazine, and the Magazine of Fantasy & Science Fiction. Beth hails from Hanford, California, but now resides in beautiful Red Wing, Minnesota, with her husband and two feline overlords. For more information about her writing and to explore hundreds of free, delicious recipes, visit www.bethcato.com.
C. S. E. Cooney (she/her) is a two-time World Fantasy Award-winning author: for novel Saint Death’s Daughter, and collection Bone Swans, Stories. Other work includes The Twice-Drowned Saint, Dark Breakers, and Desdemona and the Deep. Forthcoming in 2025 is Saint Death’s Herald, second in the Saint Death Series. As a voice actor, Cooney has narrated over 120 audiobooks, and short fiction for podcasts like Uncanny Magazine, Beneath Ceaseless Skies, Tales to Terrify, and Podcastle. In March 2023, she produced her collaborative sci-fi musical, Ballads from a Distant Star, at New York City’s Arts on Site. (Find her music at Bandcamp under Brimstone Rhine.) Forthcoming from Outland Entertainment is the GM-less TTRPG Negocios Infernales (“the Spanish Inquisition… INTERRUPTED by aliens!”), co-designed with her husband, writer and game-designer Carlos Hernandez. Find her website and Substack newsetter via her Linktree or try “csecooney” on various social media platforms.
Francesca Forrest is the author of the novellas The Inconvenient God and Lagoonfire, both from Annorlunda Books, the novel Pen Pal, and a number of short stories—most recently “Semper Vivens,” from Andromeda Spaceways magazine. For many years she was a copy editor for the Mythic Delirium zine and helped out with proofreading a couple of Mythic Delirium’s Clockwork Phoenix anthologies. She was super honored when Mike asked her to write the intro to Yukimi Ogawa’s short story collection Like Smoke, Like Light, which Mythic Delirium published. Mike, Anita, and Mythic Delirium are the center of a great writing community!
Theodora Goss is the World Fantasy, Locus, and Mythopoeic Award-winning author of the Athena Club trilogy of novels, including The Strange Case of the Alchemist’s Daughter, European Travel for the Monstrous Gentlewoman, and The Sinister Mystery of the Mesmerizing Girl. Her other publications include short story and poetry collections In the Forest of Forgetting, Songs for Ophelia, Snow White Learns Witchcraft, and The Collected Enchantments, as well as novella The Thorn and the Blossom. She has been a finalist for the Nebula, Crawford, and Shirley Jackson Awards, as well as on the Tiptree Award Honor List. Her work has been translated into fifteen languages. She is currently a Master Lecturer in Rhetoric at Boston University. Visit her at theodoragoss.com.
New York Times best-selling author Carlos Hernandez wrote the critically acclaimed short story collection The Assimilated Cuban’s Guide to Quantum Santeria (Rosarium, 2016), the novel Sal and Gabi Break the Universe (Disney Hyperion, 2019), which won the 2020 Pura Belpré Award, and its sequel, Sal and Gabi Fix the Universe. He’s also written dozens of short stories, poems, and works of drama, usually in the SFF mode. Carlos is Professor of English at the City University of New York (CUNY), where he teaches Composition, Creative Writing, Science Fiction, and other courses at BMCC. His work at the CUNY Graduate Center in the Interactive Technology and Pedagogy Program, where his academic interests have centered around game-based learning in postsecondary environments, has led him to work extensively game writing and game design. He has served as lead writer and a game designer on the CRPG Meriwether, as a writer and designer for the installation art of Mary Miss, and as literary curator on the Apple Arcade game Dear Reader, among other video games. As a co-founder of the CUNY Games Network and of the Board Game Designers Group of New York, he’s contributed to the development of many board and card games, both educational and commercial. Negocios Infernales, a GM-less roleplaying game designed by Hernandez and his wife, author C. S. E. Cooney, will be published by Outland Entertainment later this year. You can find him on socials at @writeteachplay.
John Philip Johnson has published literary and spec poetry in numerous journals and reviews. In 2021 he won a Pushcart Prize for a spec poem he had dedicated to Mike Allen, who had inspired the poem in 2011. His comic book of graphic poetry, The Book of Fly, won an Elgin Award. He’s proud to report he’s still off drugs and out of jail. He hopes to live long enough to see people on Mars and would go there himself if he could, but only if his wife, Sue, went with him.
David C. Kopaska-Merkel, a retired geologist, won the 2006 Rhysling award for best long poem (for a collaboration with Kendall Evans), and edits Dreams & Nightmares magazine (since 1986). He has edited Star*line, an issue of Eye To The Telescope, and several Rhysling anthologies, co-edited the 2023 Dwarf Stars anthology, has served as SFPA president, and is an SFPA Grandmaster. His poems have been published in Analog, Asimov’s, Strange Horizons, and more than 200 other venues. Some Disassembly Required, a recent collection of dark speculative poetry, won the 2023 Elgin award. Unwelcome Guests (2024) is his latest book. Find his blog at https://dreamsandnightmaresmagazine.blogspot.com/
Barbara Krasnoff has had over 40 short stories appear in a variety of publications. Her story “Sabbath Wine,” published in the anthology Clockwork Phoenix 5, was a Nebula Award finalist, while “Baby Golem,” from the anthology Jewish Futures: Science Fiction from the World’s Oldest Diaspora, was a finalist for the 2024 WSFA Small Press Award. She also has a mosaic novel, The History of Soul 2065, published by Mythic Delirium Books. A full list of publications can be found at BrooklynWriter.com. When not writing genre fiction or hanging out with her partner, WBAI radio host Jim Freund, Barbara earns a living as Reviews Editor for The Verge.
Rich Larson was born in Niger, has lived in Spain and Czech Republic, and is currently based in Canada. He is the author of the novels Annex and Ymir, as well as collections Tomorrow Factory and The Sky Didn’t Load Today and Other Glitches. His fiction has been translated into over a dozen languages, among them Polish, French, Romanian and Japanese, and adapted into an Emmy-winning episode of LOVE DEATH + ROBOTS.
Sandi Leibowitz writes fantasy fiction and poetry, often based on myths and fairy tales. Author of the poetry collections Eurydice Sings, Elgin-nominated The Bone-Joiner, and Ghost-Light, her speculative poems have garnered second- and third-place Dwarf Star awards and been nominated for the Pushcart Prize, Rhysling and Best of the Net awards. Her poems and stories for children appear in Cricket, Highlights, Ember, Spellbound, Orbit and other magazines; Her picture book for older children, Magotu and the Leopard, illustrated by Christiane Krömer, has been published by Library for All. A native New Yorker, Sandi also sings classical, folk, and cabaret music. Don’t ask her to dance for you, however, as a recent vigorous cha-cha ended with her breaking her wrist. If you ask nicely, she will say something to you in Gaelic.
Virginia M. Mohlere was born on one solstice, and her sister was born on the other. Her chronic writing disorder stems from early childhood. Other than Mythic Delirium, Virginia has emerged infrequently from her fort built of yarn and fountain pens to publish works in venues such as Jabberwocky, Fireside Fiction, Goblin Fruit, Strange Horizons, Cicada, and Through the Gate. She was the 2019 winner of the WSFA Small Press Award for her short story, “The Thing in the Walls Wants Your Small Change,” which appeared in Luna Station Quarterly.
Yukimi Ogawa lives in a small town in Tokyo, where she writes in English but never speaks the language. She still wonders why it works that way. Her fiction can be found in such places as Clarkesworld, The Magazine of Fantasy & Science Fiction, and Strange Horizons. Her debut collection, Like Smoke, Like Light, was selected as one of Publishers Weekly‘s best Science Fiction/Fantasy/Horror books of 2023.
Cameron Roberson, who writes under the pen name Rob Cameron, is a teacher, linguist, and lead organizer for the Brooklyn Speculative Fiction Writers. Poetry. Hia stories, essays, and poems have appeared in Star*Line, The Magazine of Fantasy & Science Fiction, Foreign Policy Magazine, Tor.com, Apex, Bestiary of Blood horror anthology, and Clockwork Phoenix 5!!! Daydreamer, his debut middle grade novel, came out from Random House in August and his solarpunk noir novelette Ice Like Honey comes out in Lightspeed magazine in early 2025.
Kenneth Schneyer’s short fiction has been nominated for the Nebula and Sturgeon awards, found its way into various Years Best anthologies, and been translated into five other languages. His second collection, Anthems Outside Time and Other Strange Voices (featuring an introduction by Mike Allen!) received starred reviews from both Publishers Weekly and Library Journal in 2020. His most recent stories are “Tamaza’s Future and Mine” (Asimov’s Science Fiction) and “Winding Sheets” (Lightspeed Magazine). By day, he is a professor of humanities and legal studies, teaching courses as varied as advanced Shakespeare, criminal procedure, and introductory logic. Born in Detroit, he now lives in Rhode Island with his spouse, occasionally his grown children, and something with fangs.
Sonya Taaffe reads dead languages and tells living stories. Her short fiction and poetry have been collected most recently in As the Tide Came Flowing In (Nekyia Press) and previously in Singing Innocence and Experience, Postcards from the Province of Hyphens, A Mayse-Bikhl, Ghost Signs, and the Lambda-nominated Forget the Sleepless Shores. She lives with one of her husbands and both of her cats in Somerville, Massachusetts, where she writes about film for Patreon and remains proud of naming a Kuiper Belt object.
Jessica P. Wick is a writer, poet, and editor. She co-founded Goblin Fruit with Amal El-Mohtar, a quarterly e-zine of fantastical poetry, and is a passionate advocate for the reading aloud of poetry and fiction. Her poetry has been nominated for the Rhysling Award and received honorable mentions in Year’s Best Fantasy and Horror anthologies. Her short fiction can be found scattered across the internet; recently, her novella “An Unkindness” appeared in Mythic Delirium’s A Sinister Quartet. Jessica’s experience as an editor runs the gamut, from full-length novels to short fiction, poetry collections to magazine articles, academic papers to audio works. She also reviews books for NPR.
I was asked to be at a guest at the Orange Salon, hosted by editors Carina and Nike at theorangebee.substack.com, a fairy tale journal. They will be hosting salons for paying subscribers, and this was their first!
We did a Q&A and a reading, and then I ran a short “Infernal Salon” with our Negocios Infernales cards, “the Deck of Destiny.” Nike asked me as a sweet favor to sing them all a song on my way out, so I wrote a song based on my card draw. It’s a VERY simple melody, and I probably don’t stay on key, but I recorded it for posterity, and shall link to it below.
I do write songs occasionally in case any of you reading this don’t know that yet. You can find most of them here: https://brimstonerhine.bandcamp.com. My first two attempts at music-making are EPs: Alecto! Alecto! (retellings of women in myth), and The Headless Bride (monstrous women and sea chanteys). And then I made one album: Corbeau Blanc, Corbeau Noir (each song written for the backers who backed my EPs at a high level, so it’s kind of a hodgepodge.)
If I make another, it’ll be Ballads from a Distant Star, my collaborative sci-fi musical concept album. And then, who knows? Maybe the 6-episode musical podcast The Devil and Lady Midnight…
Pearl in the shell, foam on the sea Way-oh, the song goes How it has been, and how it must be Way-oh, and round she goes, round she goes, the world-oh
Rose on the thorn, moon in the sky Way-oh, the song goes All things are born, and all things must die Way-oh, and round she goes, round she goes, the world-oh
Kings for their crowns, dragons for gold Way-oh, the song goes Crows for their black, snow for its cold Way-oh, and round she goes, round she goes, the world-oh
Rise up and dance, rise up and sing Way-oh, the song goes Harvest in fall what’s planted in spring Way-oh, and round she goes, round she goes, the world-oh
Now is the dusk, now is the dark Way-oh, the song goes Now is the winter, teeth of a shark Way-oh, and round she goes, round she goes, the world-oh
Put down your work, come out and play Way-oh, the song goes Live in the light while still it is day Way-oh, and round she goes, round she goes, the world-oh
Tonight is our Sitzfleisch Poetry Hour–the first of the New Year.
It’s the one night a month a group of poets I know (all sorts! they might be different every month!) gather for a silent zoom and dedicate that hour to writing poetry. I’d love to make it a weekly occurrence, but maybe this is what I can manage for now.
I just drafted a very early idea for a poem called “The Victorian Hair Metaphor” longhand in my journal. Now I think I’d take the rest of the hour to type out here a poem I drafted long-hand in my journal last August. There are a few things in it I like.
And… I’m thinking of both my grandmothers today.
We had news last Thursday that my father’s mother passed away. There’s probably a poem in there too, but not now. And maybe not here. In fact, I will pause and text my papa here, just to let him know I love him.
Teasdale in the Mist
I read a poem today, too quickly a Teasdale, on Sappho no lines remain, just a fragrant mist I retain no elegant mechanics– nothing of what worked on me until my heart turned puppetry the poet, some Geppetto
next, my mother texted a self-portrait all lines and shadows in her face engaged all grays and rainbows and that shocking crone’s corona awesome as platinum dark eyes her own mother would recognize from her cradle days
my mother, today, is a poem her mother might forget tomorrow the mist is seeping, the matriarch sleeping her long mornings through and though the books she reads are fewer and her birthday cards are in my mother’s hand all is not lost, all is not yet lost
her past is deep, will disappear last our well-documented beginnings safe in their dusty boxes our origins and old photographs her daily prayer
a year from now, I will have forgotten writing this encounter it abroad, in some online mist count myself lucky, perhaps, to read that old Teasdale poem again
[fireworks: joy upended, ordinance of dedication, starlight confetti unfettered celebration, the blitz that is balm, the bombs of bliss]
after I have smelled my husband’s neck to satisfaction
[there is nothing like it; I can- not retain it, sunlit heart- beat, happy soapscent cleanly, comely, last-homely-houseiness but ever and above this the haecceity of him]
after I have announced my intention to pen a poem
[this is totally Amanda Gorman’s fault I blame naught else, nor name no other nor uphold the goldgleam of any other queen than she who is, today, poetry]
after the nurses and the teachers and the students and the astronauts and the soldiers and the grocers and the Legends and the Foo Fighters and the chefs and the drivers and the Seamus Heaney-spouting Mirandas making soft eyes at us from Washington Heights have compelled me cry
[from the other side of Troy]
after all this, yes, I have sat me my fine ass in all its rosy sitzfleisch down, in my cotton nightgown, with my clown-stained fingers, with this pen that only sort of works, and awkward chocolate staining my shirt, on this borrowed table, in this borrowed space that we have for a grace of time, where we have dined in solitary splendor and remembered the revelry of silence, remembered that in isolation there is also solace, and I am stuffed so spiffily with the iconography of dawn, with wine-purple pantsuits and repurposed wool mittens, the nacreous unity of ten thousand pearls, earnest children in their kitchens working to feed the world, that all I can breathe, all I can see, all I can sing at the end of all this is