Logo for C. S. E. Cooney’s Twitch channel created by Brett Massé
Dear Community,
Recently, my friend Liz Pino Sparks and I slid into our DMs to share some of our local joys and goings on, and also to lament the world horrors we all have been witnessing. We wanted, so badly to do something.
So we decided to host a night of poets reading their work: to raise our spirits, and more: to raise awareness and funds for World Central Kitchen, which does such great and good and beautiful work in communities “impacted by natural disasters and humanitarian crises.”
We named a night: Friday, June 27th, from 8 PM to 10 PM, Eastern. (7 PM-9 CENTRAL, 6 PM-8 Mountain, 5 PM-7 Pacific.)
I’ve known Liz and their spouse Ethan since our high school days at Arizona School for the Arts. Ethan and Liz know many poets from their years of art and education. I, too, know many poets–mainly speculative ones!–and we reached out broadly to ask them to read with us.
I’m so happy to be meeting some of these wonderful people for the first time on Friday, June 27th, and so excited to introduce my poet friends to Liz and Ethan and their poet friends!
And I am so, so fiercely glad that we are setting a goal: to raise $500 for World Central Kitchen that night.
I set up a page–https://donate.wck.org/poetsforwck–since WCK is so kind and made it so easy, both through their website, and a lovely responsive email to my query.
Look! We’re already a 10th of our way to our goal!
We will stream this event live on my twitch channel: twitch.tv/csecooney, and you don’t need a twitch account to stream us. But! If you want to join the chat, and applause in words and emojis, and type out all your favorite lines as you hear them (I love doing this), please grab yourself a twitch handle, and join us!
And now, I am pleased to introduce you to our poets!
Erik Amundsen is an author and poet whose work has appeared in Clarkesworld, Weird Tales, Strange Horizons, Apex, and Jabberwocky. He has been removed from display for being biologically improbable or terrifying to children.
Allisa Cherry, author of An Exodus of Sparks and the 2024 Wheelbarrow Books poetry prize winner, has work in journals such as EcoTheo, The McNeese Review, TriQuarterly, and The Penn Review. Based in Portland, she teaches classes and workshops for immigrants and refugees and is a poetry editor at West Trade Review.”
Drs. Sara Cleto and Brittany Warman are folklorists, teachers, and writers who co-founded The Carterhaugh School of Folklore and the Fantastic, where they teach creative souls how to re-enchant their lives through folklore and fairy tales. They also write an absurd amount of poetry together, which you can read in Uncanny, Star*Line, Clarion, and many others.
Gerald L. Coleman is a philosopher, theologian, poet, Science Fiction & Fantasy author, Co-founder of the Affrilachian Poets, and a Fellow at the Black Earth institute. His poetry and essay collections include Nappy Metaphysic, On the Black Hand Side, and the forthcoming Incendiary. His novels include the epic fantasy series, The Three Gifts. Follow his Patreon and his website. Patreon: https://geraldcoleman.com/patreon-and-projects Website: https://geraldcoleman.com/
C. S. E. Cooney is a two-time World Fantasy Award-winning author whose books include Saint Death’s Daughter, Saint Death’s Herald, Dark Breakers, Desdemona and the Deep, The Twice-Drowned Saint, and Bone Swans: Stories. Her Rhysling Award-winning poem is found in her poetry collection How to Flirt in Faerieland and Other Wild Rhymes. She is also game designer, an audiobook narrator, and the singer-songwriter Brimstone Rhine. Find her on social media via her LinkTree https://linktr.ee/csecooney.
Jennifer Crow‘s poetry and prose have been published in a wide range of venues over the past quarter-century. Her poems have appeared in Analog, where two were finalists for the AnLab reader awards; Asimov’s Science Fiction, Uncanny Magazine, and others. Curious readers can learn more about her and her work on Patreon, where she posts under “Poetry from a Crow.” Find here: https://www.patreon.com/c/poetrycrow/posts
McKenna Deen (she/her/hers) is the Editor-in-Chief of boats against the current, a poetry magazine that highlights the voices of women, LGBTQ writers, and poets from underrepresented backgrounds. Her chapbook Ever Yours, Vincent — about the life and art of Vincent van Gogh — was published by dancing girl press. Her poems have been published in several journals and poetry magazines, including The Poet, The Los Angeles Review, and Ekphrastic Review, among others. She lives in Portland, Oregon, with her husband and two cats and loves photography, fresh flowers, and wine.
Adam Deutsch is the author of a full-length collection, Every Transmission (Fernwood Press). He has work recently in Poetry International, Thrush, Puerto Del Sol, Alchemy, Broken Lens Journal, and South Dakota Review, and has a chapbook called Carry On (Elegies). He’s a Professor in the English Department at Grossmont College and is the publisher of Cooper Dillon Books. He lives with his spouse and child in San Diego, CA. AdamDeutsch.com
Gwynne Garfinkle lives in Los Angeles. She is the author of a novel (Can’t Find My Way Home) and two collections (Sinking, Singing and People Change), all published by Aqueduct Press. Her fiction and poetry have appeared in such publications as Strange Horizons, Fantasy, Uncanny, and Escape Pod.
Tina Hyland holds a Ph.D. in Literature, an MFA in writing and teaches at the Culture, Art & Technology program at UCSD.
Grant Leuning is a poet and visual artist. He is the author of two books of poetry, I Don’t Want to Die in the Ocean and Little Bird, among other things.
Caitlyn Paxson is a writer, performer, and historical interpreter. She has worked as an artistic director of storytelling performances, a book reviewer for NPR Books and Quill & Quire, a fiber arts consultant, a legal document and poetry transcriber, a 19th century jack of all trades, and a shepherdess. She currently interprets haunted historic house museums on Prince Edward Island and moonlights as a fake spirit medium. Her debut novel, A Widow’s Charm, is forthcoming from Del Rey, Doubleday Canada, and Quercus Books in 2026. You can also find her on Instagram or join her monthly newsletter, Book & Bramble.
Silvatiicus Riddle (He/They) is a 4x Rhysling-nominated Dark Fantasy/Speculative Fiction Writer & Poet haunting the bones of an old amusement park on the edge of New York City. His work has appeared or is forthcoming in: Strange Horizons, Apex Magazine, Enchanted Living, Eternal Haunted Summer, Spectral Realms, and Creepy Podcast, among others. He combats despair and entropy with his newsletter, The Goblin’s Reliquary. For all available works, please visit: http://linktr.ee/silvatiicusriddle
Julia Rios (they/them) is a queer, Latinx writer, editor, podcaster, and narrator whose fiction, non-fiction, and poetry have appeared in Latin American Literature Today, Lightspeed, and Goblin Fruit, among other places. Their editing work has won multiple awards including the Hugo Award. They’ve narrated stories for Escape Pod, Podcastle, Pseudopod, and Cast of Wonders. Find out more at juliarios.com.
David Sklar is thrilled to have survived this long but isn’t sure what to do next. His work has appeared in some journals you’ve heard of, some journals you haven’t, and some that might somehow be both. You can learn more about David at http://davidsklar.blue
Ethan W. Sparks is a graduate of the UCSD writer’s graduate program, a graduate of the USC Rossier School of Education, and a public school teacher practicing inclusive and activist methodologies of teaching. They are a father of five, a published poet and musician, and a survivor of homelessness spanning the cityscapes of Los Angeles, CA, Cleveland, OH, and Phoenix, AZ. Their writing focuses on the human diasporic moment of separation from safety in personal and collective apocalypses, on the injection of love as decolonizing affect into education, and on the personal growth that surviving traumas inspires. Ethan’s work has been featured in The Allegheny Review, UCSD’s New Writer’s Series, Now That’s What I Call Poetry reading series, Amor Forense: birds in shorts city, una antologia de cuerpos escribiendo en san diego, and is the author of the chapbook, How to Home from Boats Against the Current magazine.
Liz Pino Sparks is a cross-genre writer, legal scholar, teacher, musician under the name Liz Capra, and a parent of five. They have made homes in: Post Soviet Russia, next to the steel mills of the Cuyahoga River, in the Sonoran Desert, and next to the Pacific Ocean. Liz is a proud grandchild of an Isleta Pueblo grandmother, a Sicilian immigrant grandmother, and generations of New Mexican Rancheros. They hold an MFA from San Diego State University, a JD from CWRU School of Law, and an LLM from CSU. Find their recent collection Generic American Household at Boats Against the Current.
Adam Stutz is a neurodivergent poet whose work has appeared in various print and online publications including The Equalizer: Second Series, White Stag, The Cultural Society, A Sharp Piece of Awesome, Prelude, Be About It, Deluge, Dum Dum Zine, The Pinch, Where is the River, Dream Pop, Cover, and Ghost Proposal. He is the author of the chapbook Transcript (Cooper Dillon Books, 2017) and The Scales (White Stag Publishing, 2018). He currently resides in Los Angeles, CA.
Hanna Tawater is the author of the poetry collections VOID (White Stag, 2022) and Reptilia (Ayahuasca, 2018). She completed her MFA in writing with focus on interdisciplinary poetry at UC San Diego, where she now teaches. Her work has appeared in various publications, both online and in print. She lives in San Diego with entirely too many cats.
Jessica P. Wick is a writer, poet, and editor. She co-founded Goblin Fruit with Amal El-Mohtar, a quarterly e-zine of fantastical poetry, and is a passionate advocate for the reading aloud of poetry and fiction. Her poetry has been nominated for the Rhysling Award and received honorable mentions in Year’s Best Fantasy and Horror anthologies. Her short fiction can be found scattered across the internet, and her experience as an editor runs the gamut, from full-length novels to short fiction, poetry collections to magazine articles, academic papers to audio works. She also reviews books for NPR. She currently lives in Westerly, Rhode Island.
(I started this in June 2023, around the same time I was starting to think of Hags of the Thorn. Which meant I was thinking of Ballads from a Distant Star. Which meant I was thinking of Caitlyn Paxson. I don’t have a tune for it, but nor did I think it should just repine in my journal forever…)
Caitlyn, it’s been a long time Since the mines Since the days all of silver and ore My hair has gone gray And my hips lost their sway But you’ll still find me dancing On festival days
How have you been since that dawn In the dim When you stood in your black cotton dress? Saying “Clara, I loathe All this labor and load I’m longing to wander Our unquiet roads”
Caitlyn, you vanished from mountain And glen When you shook off the dust and the grime Like a knight on a hill Standing tall and so still And the mists rose to take you O wither they willed
Caitlyn, we’ve changed since that day That you left Our walls are of good solid stone The roads are all paved We’re no longer enslaved We don’t speak of silver Still less of the ways
Wherever you wander, O knight of the storms On your horse made of fog and of rain I’ve poured you an ale And stored many a tale And my door is ajar Should you ride through the veil
Should you ever return to your town And your friend With your banner of green and your sword Though you’ve passed into lore I remain, evermore Your Clara, who loves you From shore to the shore For shore to the silvery shore
Tonight is our Sitzfleisch Poetry Hour–the first of the New Year.
It’s the one night a month a group of poets I know (all sorts! they might be different every month!) gather for a silent zoom and dedicate that hour to writing poetry. I’d love to make it a weekly occurrence, but maybe this is what I can manage for now.
I just drafted a very early idea for a poem called “The Victorian Hair Metaphor” longhand in my journal. Now I think I’d take the rest of the hour to type out here a poem I drafted long-hand in my journal last August. There are a few things in it I like.
And… I’m thinking of both my grandmothers today.
We had news last Thursday that my father’s mother passed away. There’s probably a poem in there too, but not now. And maybe not here. In fact, I will pause and text my papa here, just to let him know I love him.
Teasdale in the Mist
I read a poem today, too quickly a Teasdale, on Sappho no lines remain, just a fragrant mist I retain no elegant mechanics– nothing of what worked on me until my heart turned puppetry the poet, some Geppetto
next, my mother texted a self-portrait all lines and shadows in her face engaged all grays and rainbows and that shocking crone’s corona awesome as platinum dark eyes her own mother would recognize from her cradle days
my mother, today, is a poem her mother might forget tomorrow the mist is seeping, the matriarch sleeping her long mornings through and though the books she reads are fewer and her birthday cards are in my mother’s hand all is not lost, all is not yet lost
her past is deep, will disappear last our well-documented beginnings safe in their dusty boxes our origins and old photographs her daily prayer
a year from now, I will have forgotten writing this encounter it abroad, in some online mist count myself lucky, perhaps, to read that old Teasdale poem again