Tag Archives: fantasy

On Scratch Maps and Map Scraps

My friend Doc is reading The Twice-Drowned Saint. This is thrilling. I AM THRILLED whenever anybody reads ANYTHING of mine, and doubly thrilled if it’s one of those books that I uneasily think is “not for everyone.” (That’s pretty much all of my books.) (Not that ANY book is for EVERYONE.)

Don’t get me wrong. I adore The Twice-Drowned Saint. It’s the book about which my editor, Mike Allen, taught me one of my most useful phrases: “I stand by the work.” That’s hard to say. Harder to do. So many doubts. SO MANY DOUBTS. But I know… I know that I learned so much writing it.

Our gorgeous cover by artist Lasse Paldanius!

I know that it was, at the date it was written, one of my most ambitious structures. A novella that grew to be too big for its britches, but nonetheless still felt like a novella rather than a novel at 65,000 words. That liminal, boundary-defying darling. I know that I did so much research for it–about building with salt structures, about ice, about alpine rescue; I even interviewed someone who used to do it! Robert Peterson! The absolute darling! He read over the work and let me know what I needed to tweak.

My friend Magill, who knows everything about movies and the history of movies and about filmmaking helped me with some of the cinematic stuff. I structured every chapter as different shots of a camera, since the main character thinks in movies.

But I also think the work is dense. And maybe I let some threads fall? I don’t even know! Every time I read it I’m pleasantly surprised it’s not the mess it was just two drafts before. That’s the thing about final drafts. They’re not the ones that LIVE IN MY HEAD.

I am rambling. What I meant to say is: Doc is reading The Twice-Drowned Saint, and was interested in making a map of Gelethel. He asked me if I had one. I mean… I HAD one. I could almost remember it. The trouble is… which notebook is it in?

Thankfully, I’d digitized that one. So after a search for “Twice-Drowned Saint Notes and Cuts,” I found it, copied and pasted into that document! Thank you, past Claire.

The most glorious Phoebe Ashcroft’s fan art of Alizar the Eleven-Eyed from The Twice-Drowned Saint.

But in the search for that map, I found several others.

You all probably know by now that most of my stories, short and long, take place on the same world Athe. But depending on where you are on the world, and when you are in its time line, it’s going to have different rules, different gods, different ways of operating. If one whole continent, and the different countries on it, shares certain magical or religious beliefs, even with variations, it will operate more cohesively than a continent of scattered city-states that worship vastly different deities. Like, say, a city that, for example, is run by angels who went and murdered their god. (Ahem, The Twice-Drowned Saint.)

I didn’t intentionally do this when I started writing short stories. I just thought it was funny. Little secret giggles for myself. I didn’t think, twenty years later, there’d be interconnected novel worlds that I’d then have to justify to CLOSE READERS. Sorry, mi enjambre. I’m just not that awesome a tactician. More of a practical joker, but mostly playing jokes on myself.

Anyhow, I thought I’d share these bad maps with you. Because they’re hilarious.

Rough map of Gelethel

Yeah, I don’t know why I wrote “S” when I meant “E” for east, but that’s my scrap maps for you.

The city of Gelethel is diamond-shaped, but I made a square because that was easier on grid paper. I just turned it slightly so the top of the square was North.

And what is that shape in the middle? Is that the salt palace? What was I thinking? I probably made the map during an early draft anyway. Maybe things changed.

Map of Seafall, Drowned Lirhu, Doornwald, Amandale, etc… from Bone Swans, Dark Breakers, The Witch in the Almond Tree, my WIP Fiddle, and my short story in Uncanny Magazine: “From the Archives of the Museum of Eerie Skins, an Account.”

See Kywit’s Grove on there?

See the Six Realms in the Northeast corner? I don’t know that I ever call them the Six Realms in the Saint Death book, maybe because I kept thinking I’d SURELY come up with a better name if I tried, but then it didn’t become important because they’re not, at present in the Saint Death books, unified at all, but that’s where Liriat, Rook, Quadiíb, Damahrash, Leech, and Skakmaht all are.

See the bottom right–Southeast–that says “Eastern Bellisaar”? That’s where “Godmother Lizard” (Black Gate Magazine), “Life on the Sun” (Bone Swans), and The Twice-Drowned Saint take place. It’s also where, if I ever write it, Zilch: A Tale of Nea the Nephilim will take place. (Or was it “Nea the Knighter”? All I know is that the main title is called Zilch, and it’s about Nea, who makes a brief but important appearance in The Twice-Drowned Saint.

Speaking of the so-called “Six Realms” see below. (Dang it. Now I HAVE to think of a better name for that continent. Once it’s unified. I wonder when THAT happens in its long history? Does it ever become a democratic republic, do you think? Or a meritocracy, like Quadiíb?)

…But, look. I can read my own map (sort of). If you count Kalestis and Umrys-by-the-Sea, as well as LOWER Quadiíb, it’s more like NINE realms anyway. DO I ever count Kalestis? (I remember using Kalestis for SOMETHING, but maybe that was in a former draft, or a WIP. I shall have to do a search.)

In the Saint Death books, Damahrash is still sort of a Rookish satellite anyway. It would be considered part of Rook? Maybe Kalestis is formed later? And Quadiíb is thought of as just Quadiíb, at least by the Lirians, even though Higher and Lower Quadiíb are very different entities, governmentally speaking.

So I suppose it COULD HAVE BEEN six, and later in the timeline becomes nine. Or vice versa.

Why even, fantasy novel?

I don’t really sit here answering questions about the world until a certain stage in a given draft.

Except books are… cumulative. And one’s oeuvre becomes this great spiraling accretion disk, with yours truly as the black hole at its center.

At some point, for Saint Death’s Herald, I had to figure out how far the character could travel in a day, and what each square of the grid represented, mileage-wise. Then I had to answer the following questions: “How fast does an undead flying tiger rug fly?” “How fast does a dragon fly?” “How fast does a sky house fly?” LOL.

And, obviously (it’s just becoming obvious to me now), between the Bone Swans/Dark Breakers continent and the Saint Death continent, there’s not just those weird squiggle mountains, but also “The Glistring Sea.” It must be so, because I’ve written it in.

Seriously, smalls, don’t take these maps to heart. Like the pirate says, it’s “more what you’d call ‘guidelines.'”

But I’ll leave you with ONE LAST ONE. I didn’t end up using this one as much. It was EARLY Saint Death’s Herald draft for Witch Queen’s City, in Leech. In fact, my research led me to model it off Castellfollit de la Roca in Catalonia, but here’s the map before the research:

Early ideas for Witch Queen’s City, in Leech (now called “Taquathura” to be respectful to the skinchangers who live there).

Anyway. That’s all. I just wanted to share it with you. It’s funny… looking at them all together like that. These are scraps from ACROSS THE YEARS. I am very haphazard about this sort of thing. And only when someone like Anthony John Woo approaches me about adapting my world for his 5e D&D campaign, or Doc wants me to make me AN ACTUAL MAP do I start considering the notebooks and notebooks full of this stuff.

So there. Have a present.

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Spooky Reading! October 29th! Virtual!

Dear friends,

WE ARE DOING IT! WE ARE DOING OUR SPOOKY READING! NEXT TUESDAY NIGHT! 8:45 PM-10:30 PM EDT! Put it in your calendars, friends!

We are doing it on Twitch TV. You don’t even need a subscription to stream it! You can dip in whilst doing dishes and folding laundry! Wahoo!

Edited on reading date to add: Cass Khaw and Tonia Ransom had to bow out, alas! We wish them the very best night!

Reading order:

Christa Carmen
Zig Zag Claybourne/Clarence Young
Dr. Kathleen Jennings
Jessica P. Wick
Mike Allen
Kenesha Williams
Juliette Wade
Rob Cameron/Cameron Roberson
Dr. Lisa L. Hannett

Alas, I couldn’t come up with a better title than just “Spooky Reading” but, you know… VIBES.

Gregory A. Wilson is hosting us on his wonderful Twitch channel https://www.twitch.tv/arvaneleron.

Carlos and I will be introducing the authors, reading your their bios (with FLARE!), and telling you about the awesome stuff they’ve got going on.

At the end of each reading, we’re going to roll some dice, and use Kathleen Jennings’s amazing GOTHIC ART CHART and a list I created from her “Girls Running from Houses” gothic bot to give each author their own unique GOTHIC NOVEL GRAB BAG! That is: a visual prompt and a written prompt that they can leave with… just in case they need to go off right away and write (another?) gothic novel.

At the end of the night, we are going to give the CHAT their very own visual/written prompt as well.

THAT WAY WE CAN ALL GO HOME AND WRITE GOTHIC NOVELS TO OUR HEART’S CONTENT!

All of which to say… it’s time to MEET THE AUTHORS!

Mike Allen

Mike Allen has written, edited, or co-edited thirty-nine books, among them his new horror collection, Slow Burn. His first two volumes of horror tales, Unseaming and Aftermath of an Industrial Accident, were finalists for the Shirley Jackson Award for Best Story Collection, and his dark fable “The Button Bin” was a nominee for the Nebula Award for Best Short Story. As an editor and publisher, he has twice been a finalist for the World Fantasy Award. Ruadán Books intends to publish Mike’s sidearms, sorcery, and zombies sequence The Black Fire Concerto and The Ghoulmaker’s Aria in 2025 and 2026, respectively. With his wife, Anita, he runs Mythic Delirium Books, based in Roanoke, Virginia. Their cat Pandora assists.

Check out his new horror collections Slow Burn at https://mythicdelirium.com/slow-burn#Burn, and his new short story “Service Sector” here: https://kaleidotrope.net/autumn-2024/service-sector-by-mike-allen/

Celebrate his forthcoming novel series The Stormblight Symphony: https://ruadanbooks.com/wordpress/press-release-17-september-2024/

Kenesha Williams

Kenesha Williams is an author, screenwriter, speaker, and Founder/Editor-in-Chief of Black Girl Magic Lit Mag a speculative fiction literary magazine. She has been a panelist and speaker at StokerCon, the Horror Writers of America convention; Boskone, the longest-running science fiction & fantasy convention in New England; ECBACC, the East Coast Black Age of Comics Convention; and BSAM, the Black Speculative Arts Movement convention. As an, essayist she has written for, Time Magazine’s millennial imprint, Motto, Fireside Fiction, and I Am Black Sci-Fi, among other publications. Kenesha is also a screenwriter who is in pre-production on a horror web series and a short horror film.

Dr. Kathleen Jennings

Kathleen Jennings lives in Brisbane and writes Australian Gothic fiction and fairy tales and illustrates other people’s books.

Check out her short story collection, Kindling, at Small Beer Press, her Redbubble page at tanaudel.redbubble.com, and this beautiful crowdfunder she contributed to as an artist: Elizabeth-Jane Baldry’s Great Oak Feasting Table. 

Juliette Wade

Juliette Wade is a novelist who never outgrew the habit of asking “why” about everything. This path led her to study foreign languages and to complete degrees in both anthropology and linguistics. Combining these with a fascination for worldbuilding and psychology, she creates multifaceted science fiction that holds a mirror to our own society. She is the author of The Broken Trust books: Mazes of Power, Transgressions of Power, and Inheritors of Power, as well as short fiction found in magazines such as Analog, Clarkesworld, and Fantasy & Science Fiction. She lives in Australia with her Aussie husband and her two sons, who support and inspire her.

Dr. Lisa L. Hannett

Lisa L. Hannett is an award-winning author of over 80 weird and whimsical short stories, five collections, and a mosaic novel. She’s an Associate Professor Creative Writing at Flinders University in Adelaide, where she writes and obsesses about Vikings, dreams about fantasy food, and dresses up in costumes.

Check out her latest: Fortunate Isles, nominated in the Best Collection category for the World Fantasy Award this year (and available in a beautiful hardcover edition!) as well as Viking Women: Life and Lore, available in bookshops everywhere in Australia, but only in ebook internationally.

Jessica P. Wick

Jessica P. Wick is a writer, poet, and editor. She co-founded Goblin Fruit with Amal El-Mohtar, a quarterly e-zine of fantastical poetry, and is a passionate advocate for the reading aloud of poetry and fiction. Her poetry has been nominated for the Rhysling Award and received honorable mentions in Year’s Best Fantasy and Horror anthologies. Her short fiction can be found scattered across the internet; recently, her novella “An Unkindness” appeared in Mythic Delirium’s A Sinister Quartet. Jessica’s experience as an editor runs the gamut, from full-length novels to short fiction, poetry collections to magazine articles, academic papers to audio works. She also reviews books for NPR. 

Rob Cameron/Cameron Roberson

Cameron Roberson, who writes under the pen name Rob Cameron, is a teacher, linguist, and lead organizer for the Brooklyn Speculative Fiction Writers. Poetry, stories, and essays, have appeared in Star*Line, The Magazine of Fantasy & Science Fiction, Foreign Policy Magazine, Tor.com, Clockwork Phoenix Five, and Apex Magazine. Daydreamer, his debut middle grade novel, came out from Random House in August.And his novelette Ice Like Honey comes out with Lightspeed magazine next year. 

Daydreamer is his debut middle grade novel. Rob is also lead organizer for the Brooklyn Speculative Fiction Writers and executive producer of Kaleidocast.nyc.

Christa Carmen

Christa Carmen is the Bram Stoker Award-winning and Shirley Jackson Award-nominated author of The Daughters of Block Island, Something Borrowed, Something Blood-Soaked, “Through the Looking Glass and Straight Into Hell,” & the forthcoming Beneath the Poet’s House. Find her at www.christacarmen.com. 

Zig Zag Claybourne/Clarence Young

Named as one of Book Riot’s “6 of the best Black indie scifi writers you should be reading” (Jan 2021), Zig Zag Claybourne is the author of the newly released fantasy Breath, Warmth, and Dream. Other works include: The Brothers Jetstream: Leviathan and its sequel Afro Puffs Are the Antennae of the Universe; By All Our Violent Guides; Neon Lights; and Conversations with Idras.

His stories and essays have appeared in The Magazine of Fantasy & Science Fiction, Apex, Realm (formerly Serial Box), Galaxy’s Edge, GigaNotosaurus, Strange Horizons, The Year’s Best African Speculative Fiction, and others. In addition to being a Kresge Foundation Literary Fellow, Zig is a frequent speaker at libraries, conventions, and other learning institutions. zzclaybourne.com

Check out his new fantasy Breath, Warmth & Dream, featuring wraiths, witches, and beasts!

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FIDDLE!

Okay, I’ve had enough of a rest. I turned in my novel and my three short stories, and I narrated a few audiobooks, and then I just PLAYED AND PLAYED. Now it’s time to get back to writing until my edits come in.

So… back to FIDDLE, anyone? Been a minute.

…Like, I wrote the first draft in 2019, and the first half of the second draft in 2020, and then Saint Death’s Daughter, Dark Breakers, The Twice-Drowned Saint, and Negocios Infernales happened. And also Saint Death’s Herald, still currently happening.

But still. Can’t play Slay the Spire INFINITELY, can I? Well… I CAN, but… THAT DOESN’T GET FIDDLE WRITTEN. Or re-written, as it were.

Do you know about Fiddle?

It’s kinda rom-com romp set in the Dark Breakers/Desdemona and the Deep world, but instead of, like, the “Gilded Age” of most of the Dark Breakers stories, not to mention Desdemona, it’s… like… in the 1980’s-equivalent of that world. LOL.

P.S. The walls between the Three Worlds fell down sometime in the 60’s-equivalent (called the “Ymbeglidegold”), so now the goblins, gentry, and humans are all mingled together, in with the occasional demonspawn.

So. That’s nice.

I’ve just reorganized my Table of Contents. It’s kind of like an outline. It gives me a structure, anyway.

Act I: Dida + Istat = L0v3

Scene 1 Best of All Sisters

Scene 2 Goblin Favors

Scene 3 Okay, So He’s Pretty Okay

Scene 4 Thorn in the Dark

Scene 5 The Way of the White Widow

Act II: Ghilbrenna the Abyssborn

Scene 1 Demonspawn

Scene 2 Fexting

Scene 3 Lenscraft

Scene 4 Hen Night

Scene 5 Orca Goons

Act III: Three Weddings and a Rocket Launch

Scene 1 Deep Lords and Clade Queens

Scene 2 The Lost Basilica: Wedding One (Gentry Tripartite renewal of vows)

Scene 3 Oracles for the Unwary: Wedding Two (Dida and Istat)

Scene 4 Third Times’s the Boom: Wedding Three (Ghilbrenna and Squiddy)

Scene 5 SS Vespel Nest

Finale: Vessel Infernal

Internal illustration for Dark Breakers’ “Susurra and the Moon”, art by Brett Massé.

Why did I use this “Susurra” image to illustrate my FIDDLE blog, you ask? Why, because the gentry of the Valwode, second world down on the three-petal World Flower, live a LONG-ASS TIME.

And some characters you might have met and loved in DARK BREAKERS and DESDEMONA are alive and well in FIDDLE.

Because… you know. Immortals.

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The Twisted Folklore Histories StoryBundle

Here’s a StoryBundle for YOU! “The Twisted Folklore Histories StoryBundle!”

Here is the blog with all the relevant details ($5 for 4 books, $20 for all 12), which books are bonus, and so on. It is curated by none other than our own Mike Allen of Mythic Delirium!

I read Shadow Atlas in 2022 and thought it was so beautifully put together! I’ve read several Eugen Bacon stories, and loved every one. I’m gaga for anything Angela Slatter aka AG Slatter, as you probably know by now. And that ISOBEL YAP COLLECTION OMG.

And look–in addition to some of my books, there are my Mythic Delirium publishing buddies: Theodora Goss, Barbara Krasnoff, and Yukimi Ogawa! Also very excited to see Elwin’s collection! I mean! AMAZING STUFF!

HERE’S THE FULL LIST OF WHAT YOU’LL GET!

Chasing Whispers, Eugen Bacon (Raw Dog Screaming Press)
Shadow Atlas: Dark Landscapes of the Americas, Carina Bissett, Hilary Dodge and Joshua Viola, eds. (Hex Publishers)
Dark Breakers, C. S. E. Cooney (Mythic Delirium Books)
The Twice-Drowned Saint, C. S. E. Cooney (Mythic Delirium Books)
Dance on Saturday: Stories, Elwin Michael Cotman (Small Beer Press)
The Collected Enchantments, Theodora Goss (Mythic Delirium Books)
The History of Soul 2065, Barbara Krasnoff (Mythic Delirium Books)
Black Cranes: Tales of Unquiet Women, Lee Murray and Geneve Flynn, eds. (Raw Dog Screaming Press)
Like Smoke, Like Light: Stories, Yukimi Ogawa (Mythic Delirium Books)
A Feast of Sorrows, Angela Slatter aka AG Slatter (Prime Books)
Blood Mountain: Stories, Brenda S. Tolian (Raw Dog Screaming Press)
Never Have I Ever: Stories, Isabel Yap (Small Beer Press)

Don’t forget to pick up your own Storybundle here: https://storybundle.com/folklore

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The Sinister Quartet: MINI-COOKBOOK, MOSTLY PASTRIES… EVIL PASTRIES

Hallo, beloved readers!

It has now been, let’s see, a fortnight–is it? HOLY MOLY–since A Sinister Quartet came out with Mythic Delirium.

For those of you who are only hearing about it for the first time, let me tell you a little about it. It’s a book of four long-form fiction stories (one short novel: mine; three novellas, by Jessica P. Wick, Amanda J. McGee, and Mike Allen respectively), all dark fantasy or horror, with a few common themes like sibling relationships, familial love, monstrous beings (both of the human and otherworldly varieties), and the old Mythic Delirium standby: “beauty and strangeness.”

The four of us authors have done a variety of things to boost our signal. And hey, all you other authors out there, whose books are coming out in the Time of Covid: we feel ya!

Also, we feel that there are so many more important things going on in the world right now–not only the pandemic, but the protests, especially about Black Lives Matter and police brutality–that making too much noise, joyful or otherwise, about our work just feels weird. Other signals to boost right now! BOOST ‘EM TO THE SKY!

Some of the fun stuff we’ve done can be found on Mythic Delirium’s website, along with the store where you can buy the book! Mike Allen writes:

“Mythic Delirium Books is now an affiliate at Bookshop, a new bookselling website born in January 2020 that directs a portion of every sale toward assisting independent bookstores. (Hat tip to Jessica Wick for this development.)

Practically speaking, what this means is there is at last a one-stop shop where you can find all of our trade paperback editions, with quite a few offered at discounts. It’s probably the closest thing we’ve ever had to an actual storefront. Click here to check it out!”

(You can also buy the book most anywhere books can be bought!)

Other fun stuff includes:

A Big Idea post at John Scalzi’s website–in which we all interview each other
A Reddit Ask Me Anything–in which people… DID!
A Booze and Books Feature–in which we, the authors, were guest bloggers and invented cocktails and mocktails! (Or got our friends to do it for us.)
Spotify Soundtrack Playlists–in which we all created soundtracks for our stories, and Amanda made us images for each. (Click on each image; it’ll take you to the Spotify link!)
A Zoom reading, with all of us reading excerpts, plus Q and A at the end
An excerpt of “Twice-Drowned Saint” on the New Decameron Project (and if you’ve not heard of THAT, do you have a treat in store!)
An excerpt of “Viridian” on Amanda’s blog
A pajama party–in which my mom, my husband, and I all dressed up in my mother’s pajamas, and I read them an excerpt of Twice-Drowned Saint, but really the star, as ever, is the cat. Whose name is “Lil Guy Fawkes.” Not my cat. My brother’s cat. But I love him.

MOST LATELY, what I’ve done is put together all the recipes I’ve made–or rather, pilfered–over the last few months, based on our stories, and posted pictures of them here for you, and a few light links.

I hope you enjoy!

SMOOCHES AND SWEET DREAMS–ONLY DREAMS NOW–BUT ALSO, YEAH, MAYBE DON’T READ A SINISTER QUARTET LATE AT NIGHT, LAST THING BEFORE BED…

C. E. E. Cooney

And now for the RECIPES!

(CW: for possible trypophobia)

The Twice-Drowned Saint: Being a Tale of Fabulous Gelethel, the Invisible Wonders Who Rule There, and the Apostates Who Try to Escape Its Walls, by C. S. E. Cooney

“Chocolate Bug,” or “The Eleven-Eyed Brownie”
Ingredients: Extra Gooey Brownie Mix, Candied Eyeballs, Lemon Garish

(follow recipe on the box, plus your own mischievous ingenuity)

An Unkindness, by Jessica P. Wick

“Heart of a Unicorn (or Lost Prince) Galette“
Ingredients: Pichuberries, strawberries, phyllo dough, honey, butter

(Follow recipes for any “gooseberry/strawberry galette,” only sub in pichuberries)

Viridian, by Amanda J. McGee

“Bluebeardy Pie”
Ingredients: Pie shell, blueberries, sugar, forbidden key, blue ribbon, red rose, ruby goblet

(follow the Epicurious recipe for the most part, but we bought our crust, like lazy writers)

The Comforter, by Mike Allen

“Meat Pancake Thingie”

(follow Anita Allen’s recipe… below)

Anita Allen‘s MEAT PANCAKE THINGIE

“As always, preheat oven 325 degrees
The first set of ingredients varies by desired density, etc.
Nothing is exact.

Toppings ingredients:
7 Oz ( about 1/2 a small jar) Ragu pizza sauce
1.5 cups pizza cheese blend
6-7 button mushroom stems
2 sweet mini peppers ( or hot if you prefer)
5-7 yellow cherry tomatoes

Pizza “Crust” Ingredients
1 lb ground beef
2 tbsp dried parsley
2tbsp nutritional yeast
1 tbsp steak seasoning
1/2 tbsp Penzeys Spices: Ozark Seasoning
1 tbsp Worcestershire sauce or steak sauce
1 egg

Cooking instructions:
Mix like meatloaf.
On a cutting board, press out flat like a patty, about 1/4 inch thick.
Flip over onto lightly greased or sprayed broiler pan.
Smooth lightly (if you press it into the pan you won’t get it out easy to serve it. You want to use a broiler pan so the fats drain out.)
Layer on pizza sauce (about 7 Oz Ragu)
1.5 cups pizza cheese blend: spread to the edges.
1.5 Oz mini pepperoni
6-7 button mushroom stems cut cross wise to make “BUTTONS”
2 mini sweet peppers (Hungarian sweet peppers or hot peppers).
Cut crosswise to make rings.
5-7 yellow cherry tomatoes, cut crosswise and wedged into pepper rings, then spread on top.

Bake 325 for 30 min
Cut, serve, enjoy.”

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A Celebration of Desdemona and the Deep in Reviews and Pictures!

Dear Friends,

Publishing is so funny; Desdemona and the Deep came out from Tor.com not even three months ago, but it seems in some ways it was another lifetime.

…Another season, anyway, and the world rolls on. It debuted in the bright heart of summer, and now it’s the first day of October.

But in many ways, Desdemona really is an Octobral book, isn’t it, with its goblins and bargains, its tithes and transformations. I hope that this October and for many Octobers to come, readers will discover Desdemona for the first time, or take it out for a re-read, or use it as a basis to play dress up! That Alyssa Wynans cover is such a perfect palette for autumn!

Here are some pictures from both my book launches, and some gorgeous fan art that my beloved friend Caitlyn Paxson made for me as a present. WHAT A GIFT!

Also to celebrate, I received news of three great reviews for Desdemona today all from Locus Magazine, October 2019 issue! One from Liz Bourke, one from Amy Goldschlager (for the audiobook), and one from Rich Horton!!!

Yikes! I let my subscription Locus lapse in the furor of summer: TIME TO RE-UP!

Here are some snippets:

“C.S.E. Cooney won the World Fantasy Award for her collection Bone Swans. She has a strong – even glittering – track record with short stories, but Desdemona and the Deep is her first book-length work . . . At any other length, it would lose something of its impact: shorter, and it would not have time to build up the momentum for its series of punches; longer, and the effect of its short, sharp, furious poetic dismantling of assumptions would be diluted away from its pointed achievement . . . Desdemona and the Deep is an eloquent, elegant novella about power, art, consequence and change. It’s also pleasantly queer and drunk on language, which appealed to me deeply. I recommend it.”

– Liz Bourke, Locus

“Professional audiobook narrator Cooney . . . reads her own tale with joy and confidence. She is delighted to tell you her story and you will be delighted to hear it. Cooney also does a great drunk voice, and some really fun character voices. I particularly liked the voice of the assistant to Desdemona’s mother; it reminded me a lot of Jane Horrocks’ character Bubble on Absolutely Fabulous, if Bubble were American and somewhat smarter. Edgy, romantic, earthy, and colorful.“

– Amy Goldschlager, Locus (audiobooks)

“I’ve been looking forward to C.S.E. Cooney’s Desdemona and the Deep for quite a while, and having arrived, it doesn’t disappoint . . . The best thing about this book is the prose – lush images and glorious words mix in a sometimes comic and sometimes earnest olio. . . There is always the music of the writing, and the comic coloration, and the engaging and just awakening Desdemona to keep us entranced.“

– Rich Horton, Locus

And now some PICTURES!

This first gallery is from my first launch at the Savoy Bookshop and Cafe in Westerly, Rhode Island, where I lived for five years. So many people helped with this event! My friends even decorated the store to look like the Valwode!

And here’s the second launch, at the GLORIOUS Astoria Bookshop in Queens, where I currenly live. This place is wonderful! Please check it out if you get the chance! Well-worth an adventure!

And here is my darling Caitlyn’s fan art!

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SciFi/Fantasy I’ve Narrated: With Narrator’s Opinions!

SERIES

Mayhem Wave Series
By Edward Aubry

Narrator’s Opinion: What I Like About This Series

This was the first series I’d done wherein a fellow author heard me read some of my own work at a convention and, understanding that I narrated for Tantor Audio, specifically requested me to read his work when Tantor bought the audio rights to his books. What an amazing boost to my confidence! I will always be grateful. These are big, sprawling, unpredictable adventures with everything from dinosaurs to fairies to high tech trains to cannibal houses to dragons to laser guns. Okay, maybe not laser guns. But maybe not NOT laser guns too. It’s an interesting world full of colorful characters. This was also the first instance that, after a few weeks in the recording booth, I happened to glance in the mirror, and was surprised by the sight of my own face. I’d been so immersed in Aubry’s world for so long that I’d forgotten what I looked like, and expected to see a different character’s face instead of my own. Time in the “Whisper Room” can be very strange!

1. Prelude to Mayhem
2. Static Mayhem
3. Mayhem’s Children

Fate Weaver Series
By ReGina Welling, Erin Lynn

Narrator’s Opinion: What I Like About This Series

After I recorded the first book in this series I got a note back requesting me to be a little more “funny.” This was such a challenge; how to be vocally funny? They are indeed funny, fast books, full of witches and wisecracks, gods and gallivanting. I wanted to do them justice. One of the things I tried was really “activating my cheekbones”–basically, smiling while talking. Relax, have fun, but also concentrate on varying the vocal levels, so as to help the jokes land better and more naturally. And there were many jokes! These are glib, sassy books–even occasionally steamy! Sort of a mash-up of a mystery, a matchmaking rom-com, mythology and good ol’ fashioned MAGICK.

1. Match Made in Spell
2. All Spell is Breaking Loose
3. To Spell and Back

Grimm Agency Series
By J.C. Nelson

Narrator’s Opinion: What I Like About This Series

This is one of your put-upon protagonist must-save-the-world series, with a lot of interference from those who wish to invade, rule, and/or destroy it. It’s in the vein of, say, Buffy or Supernatural–taking place in a world like ours, except . . . paranormal. Now, I recorded these a while ago, but I remember I had SO MUCH FUN with the voice of one of the main villainnesses in particular: I believe, the Faerie Queen. She was French. Plenty of action, some romance, some friendships made through rescue and then through work, and MANY monsters to fight!

1. Free Agent
2. Armageddon Rules
3. Wish Bound

Cat’s Eye Chronicles
By T.L. Shreffler

Narrator’s Opinion: What I Like About This Series

First of all, the author of these books was just so sweet to work with, very communicative. I rarely have a chance to interact with the author, and for fantasy books especially, I really crave contact! Since I write fantasy, and since so much of the language of fantasy is invented, I want to make sure I am interpreting the writer’s vision as close to correctly as, well, an interpreter can! Second of all, I really enjoyed voicing the Harpies. You heard me: there are are harpies. Third, I started getting a little crush on Crash/Viper, and let me tell you, there’s nothing quite like living in the voice of your latest crush.

1. Sora’s Quest
2. Viper’s Creed
3. Volcrian’s Hunt
4. Ferran’s Map
5. Krait’s Redemption

STAND ALONE BOOKS

Inherit the Stars
By Tony Peak

Narrator’s Opinion: What I Like About This Book

This, again, was pretty early on in my narration career, but I do remember that author Tony Peak was SO AWESOMELY PROMPT and COMMUNICATIVE in his response to my request for pronunciations. I mean, I think he overnighted them to me via email. That was extremely helpful, because this is a sci-fi novel, with many kinds of planets and peoples. I remember this book had many female characters, including the protagonist–there was, in particular, a soldier (a captain? a general?) whom I particularly liked, and loved every time I got to voice her. I also remember noticing the strong colors of this book: lurid, alien, beautiful neons, like a favorite weird movie remembered from a 1980’s childhood. Also, I recall the sensation of being slightly cold the whole time I was recording: since the cryosleep chamber plays an enormous role in the plot!

The Rattled Bones
By S. M. Parker

Narrator’s Opinion: What I Like About This Book

Now, this was a really interesting read–and one I’d’ve read on my own had I just picked it up at random to read for pleasure. It’s YA and it’s a mystery–and it’s also a ghost story. There are horrific elements: historical racism (really awful stuff, and sensitively researched, I thought) and vengeful spirits. This is also a book about grieving. The teenaged protagonist Rilla Brae is QUITE powerful: a young lobster-boat captain. I’ve never read a protagonist like her before. I really loved her, and her grandmother, and her strange, wild, maritime adventure. I remember there was a complicated friendship, a realistically unsatisfying relationship–followed by a much better one. And so many cool things about MAINE!

Starlings
By Jo Walton

Narrator’s Opinion: What I Like About This Book

Ah. Ah! I have already blogged separately about narrating Starlings, because it was SUCH an experience! If you are interested, please read it at this link.

Suffice to say, this book was an HONOR and a HOOT to narrate, and I was SO EXCITED to have the chance! Not only did I get to do a good bulk of the stories (with my co-narrator Rudy Sanda doing the others), but I got to narrate the poetry. AND A WHOLE ONE-ACT PLAY! WITH ALL THE VOICES! I never felt so much like Mel Blanc in a Looney Tunes cartoon in my whole life!

Here is my favorite Audiofile Magazine review I ever got for anything I’ve done:

Beginning with a rousing introduction, C.S.E. Cooney offers an enthusiastic narration of Walton’s first collection of short fiction and poetry. All told, there are 20 stories, a one-act play, and 15 poems, many of which are populated by memorable characters and marked by sly humor. The challenge for the narrator of a collection like this is allowing for each piece to have a life of its own, rather than disappearing among so many others. A second narrator, Rudy Sanda, delivers a couple of stories, but the strength of the audiobook comes from Cooney. With Cooney’s deft narration, playful energy, and ease with accents, listeners have the opportunity to lose themselves in each fantastical story. A.S. © AudioFile 2019.

Mad Hatters and March Hares
By Ellen Datlow (editor)

Narrator’s Opinion: What I Like About This Book

If you stan Lewis Carroll, I think the stories in this book will both feed your obsession and challenge it.

As with the above-mentioned book, Mad Hatters and March Hares was another of those rare works that blew my skull apart at the sutures to try and voice. (Co-voice, actually, with the fabulous Eric Michael Summerer.) In addition to being an audiobook narrator, I also write fantasy; I even had a story in this particular anthology, my first work published under Editor Ellen Datlow, another scion of the genre! Also as with Starlings, I was so anxious about doing right by these stories–not least because I either knew or held in high esteem most of the authors–that it was one of the most difficult books I’ve ever narrated. Nothing shows me my own limitations as a voice actor so ruthlessly as being given something so beautiful and varied and brilliant to narrate that I almost can’t bear it. But I was the one on the ground, and I did my absolute best–sweating the entire time!–and I will forever be humbled to have had the chance.

Bone Swans and Desdemona and the Deep
By C. S. E. Cooney

Narrator’s Opinion: What I Like About These Books

Well, these two books are my own works–which sold to Tantor Audio and Recorded Books respectively. Bone Swans: Stories is my collection, and won the World Fantasy Award in 2016. Desdemona and the Deep was just released in July of this year (2019). The collection, comprising five novellas/novelettes, runs a gamut of flavors: from sword and sorcery, to a couple re-told fairy tales, to a fantastical murder mystery, to . . . something that’s just plain nightmarish carnival weird. The second is a standalone work juuuuuust longer than a novella (word count-wise) but meant to be one nonetheless.

They both are full fantasy books, all of the stories taking place in different secondary worlds. Although: HINT–the story called “How the Milkmaid Struck a Bargain with the Crooked One” in Bone Swans takes place in the same land as Desdemona and the Deep, only the latter is several hundred years in the future, in the equivalent of our “Gilded Age.”

I wish I were a full-cast of Academy Award-winning actors, each with their impeccable timing and distinctive voices and emotional surprises. I wish I could match in the air what these works sound like in my head. But I have to say, I also love, love, love, love, love narrating my own work. I have read aloud from my stories my whole life to anyone who would sit still long enough to listen: my mother, my brothers, my best friends, and now–my husband–and the idea that I am also reading my own work aloud to people I may never meet is deeply satisfying and warming.

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