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Rx of Enchantment, prescribed by the Doctors of Carterhaugh

I love the work being done by Sara Cleto and Brittany Warman of the Carterhaugh School of Folklore and the Fantastic. Ah, I knew them when they were young poetesses of Goblin Fruit Magazine and Mythic Delirium.

And now, behold them!

Brittany Warman, Sara Cleto: the Good Doctors of the Carterhaugh School of Folklore and the Fantastic

They’re still poets. But now they’re also DOCTORS OF FOLKLORE! They have an incredible Patreon (with monthly book clubs and fairy tale salons!), a great Facebook community, and lively presences elsewhere on social media.

Right now, the Doctors of Carterhaugh (that’s what I always call them in my head, because it’s so FANCY, and I think Janet from Tam Lin would get a kick out of it)) are ramping up for a course called ENCHANT, which they’ve been preparing for about 4 years.

And one of the lovely, community-driven things they are doing this week, for those who cannot afford the course fees for Enchant, is running a 3-day “Everyday Magic Challenge” on Monday, Wednesday, and Friday.

I SIGNED UP! I’m on a writing retreat this week, so I thought, why not?

And I not only signed up, I’ve been participating. I’ve done the first two so far, showing up on Crowdcast at the appointed hour and hurling myself into the chat–and I’m looking forward to Friday, which I’m promised will be “whimsical.”

I wanted to share a few of my responses to the “Everyday Magic Challenge” so far, with a likely follow-up on Friday, but first I wanted to tell you about the “Enchant” course coming up, because Carterhaugh School’s early-bird pricing ends Friday, and I didn’t want you to miss it.

If the course sounds like something you’d like, but you’re feeling shy, I just want to tell you: the community I’ve seen this week is so stellar, so generous, so hungry to share and participate, to be helpful, and so willing to be vulnerable for the sake of beauty and renewal.

My husband and I look with admiration and awe upon the deep work with fairy tales the Doctors of Carterhaugh are constantly doing, the many ways in which they do outreach, and the fact that, a few years out of grad school (or “PhD college,” as I called it the other day, much to Carlos’s amusement), they have a thriving small business doing exactly what they love, working hard to add petals to the flower of a life worth living.

Quickly, I’ll tell you the bullet points about their “Enchant” course. But you can read more about it at their website! All the lectures will be pre-recorded, so you can take them at your own pace, but once a week, they’ll have a community chat in person, so you’ll be able to share your experience and ask questions.

If you can’t do the course now, a great way to find out all about their new projects–and free things, like this “Everyday Magic Challenge” is to sign up for their awesome newsletter!

Man, I love newsletters. They’re the LiveJournal of our Roaring Twenties.


About “Enchant

  • An empowering five-week course that uses fairy tales, folklore, and a dash of science to help you unlock the magic that can exist in your everyday life.
  • A reminder that enchantment is always at your fingertips through small actions and habits.
  • A powerful way to counter burnout.
Brittany Warman and Sara Cleto, the Carterhaugh School of Folklore and the Fantastic

EVERYDAY MAGIC CHALLENGE – DAY 1 THREAD

Challenge #1: What is the fairy tale of your life? Journal on this prompt for a few minutes. What fairy tale calls to you? What tale motifs seem to pop up in your life? Which character do you most identify with?

Tell us a bit about your journaling on this thread!

I had an interesting and introspective time journaling/poem-ing to the prompt. My life didn’t pop out as one single fairy tale to me, but the scattered iconography and archetypes across a dozen random ones kept blitzing through my mind.

I kept thinking about one of us saying, she’s left the form of Cinderella behind, and taken on the form of Cinderella’s godmother. And thinking… we need more middle-aged heroes of folklore. All those beginnings, just going into the woods. All the elders are witches or queens.

The poem’s in no shape to share, but maybe these lines:

“I take the gown of nettle cloth I wove myself
and feel its luster
Oh, to bind me to my shape
Oh, to keep me in my skin
Oh, a nettle cloth to keep my pigeon wings in.”

And:

“I have spat my ring in his soup.
I have worn the skins of my dead.
I have danced in my day. I have danced.
And yes, when the sun is red,
I still wear ribbons.”


EVERYDAY MAGIC CHALLENGE – DAY 2 THREAD

Challenge #2: What is your soul outfit? What favorite pieces of clothing do you put on when you want to feel most like yourself? What accessory lights you up? Today (or tomorrow!), dress so that your childhood self would think you’re the coolest person they ever saw.

Tell us a bit about your outfit in this thread (we’d love to see pictures!)

I am currently cat-sitting in Western Massachusetts, and have a very slim wardrobe to pick from. That said, I remember thinking, as I was packing, what would be both comfortable and feel the most like me, as I take this time as a writing retreat. I brought along a few “normal“ clothes, specifically for traveling and/or hiking. The rest are chemises, short bodices, or simple dresses that, for one reason or another, make me feel lovely and at ease in myself.

Similarly, I only packed one small bag of jewelry. Why? I almost didn’t. I usually pack my jewelry in a travel bag, but I found the black velvet bag appealing this time. I chose just a few pieces that would go with most of whatever I brought. I didn’t know we would be taking this challenge. Very few people will be seeing me in person at all over the next week.

I was just in pajamas today, my hair in a side braid, uncombed. And I thought, I will put off this challenge until tomorrow, when I feel less weary and sore. But then, I thought… that’s the point of the challenge. To do the enchantment FIRST, and THEN let it work its magic on the weary soreness. 

To that end, I actually unpacked all my clothes (I hadn’t yet; I was digging them out grumpily from the suitcase. It’s funny; in a hotel, I ALWAYS unpack all my clothes immediately), and hung them up, and looked at them. And then thought about what felt right today, when I don’t really want any, ahem, you know, undergarments, or things tugging or lolloping or catching. 

So I came up with this outfit I’m calling “Verde que te quiero verde” after the Lorca poem, which is a green chemise (from Holy Clothing, I think, but this one is no longer in stock. There are others though), and a new short bodice in recycled sari silk I got from a vendor called Oh,Jessa! at GenCon. 

When I was choosing jewelry, I found a pair of golden tree earrings from my lovely friend Jess, a piece of amber from my friend Stephanie, and an amber choker recently given to me by my sister in law.

I wrote a fairy tale poem once called “Three Fancies from the Infernal Garden” with this line in it: “piece of amber / copper pot / the north wind tucked up in a knot.“ Wearing amber always puts me in mind of it.

Rapunzel-like, I let down my hair. But I’m fighting a headache today, so I didn’t want to do anything fancy. A black bandana seemed to pick up the interesting pattern on the bodice.

That, with my meteorite-metal wedding band (my husband & I write SFF, so of course we needed outer space wedding rings), and the ouroboros ring that came in a set of two by artist Crystal Hartman, of which I wear the silver and my husband the bronze, my outfit is complete. For you all. And for me. 

I have to say, this exercise gave me a strong memory of the year in Chicago when I put all my stuff in storage and lived with different friends for a whole year, trying to save to move. I lived out of a suitcase, wearing the same clothes for months.

And then I started dreaming of the apocalypse, where everyone in the world died, and I could go into any store I wanted and take whatever clothes I wanted. I told this to my friend, and she said it was time to go to my storage unite and swap out for new clothes.

So we did. And the dreams stopped.


You can see, dear readers, this has been a fruitful week already. I wish the same for you. And I am so happy to introduce you to the Doctors of Carterhaugh and their thoughtful and moving work.

Yours truly,

C. S. E. Cooney

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On the glories of fan art, my hearts!

New newsletter up on my free Substack: “From the Felicities of Fan Art, I Shall Never Recover.”

KIND OF A LOVE LETTER. I crammed in some other newsy newsishness at the bottom, but mostly I was just marveling.

Just didn’t want you to miss it!

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2 World Fantasy Award Nominations on a Tuesday Night!

So, I was in the laundry room in the basement of our apartment building, after making a mess of some clothes, and then I got the email from Ellen Datlow telling me congratulations.

And I looked at the bottom of the email and I saw that SAINT DEATH’S DAUGHTER was nominated for the World Fantasy Award for Novel, with Nicola Griffith for SPEAR, Alex Jennings for THE BALLAD OF PERILOUS GRAVES, R.F. Kuang for BABLE, and Nghi Vo for SIREN QUEEN.

So I ran upstairs to tell Carlos, who was in the kitchen. So we danced around for a while.

And then he got all dreamy-eyed and beatific-looking, and his cheeks began to glow, and his curls sort of sparked with a bit of St. Elmo’s fire (like it does) (St. Elmo: patron saint of chaos muppets), and he said, “You know, you should check further down the list, just in case.”

And I was like, “What for?” and then I was like, “Nahhh.” And started shaking my head.

And he said, “Just in case!”

So then I checked, very dubious, and I saw that my book DARK BREAKERS was ALSO on the list, under Collections, along with our beloved Cassandra Khaw’s BREAKABLE THINGS, Tim Lebbon’s ALL NIGHTMARE LONG, the wonderful Sam J. Miller’s Boys, Beasts & Men, and Luigi Musolino’s A DIFFERENT DARKNESS AND OTHER ABOMINATIONS.

So then I shrieked a little. And hid my face. And then Carlos got smug as a SAINT and pulchritudinous as a PROPHET, and has been the MOST adorable ever since.

Basically, you get all the CELEBRATION PICS.

My stomach filled with happy-panic-pangs, which is like having a case of butterflies, only the butterflies have fangs. I am very happy and also all the other complicated feelings of FEELINGHOOD, so there you have it. A Tuesday night.

Congratulations to all the other nominees! You can read more at (and stop to support!) Locus Magazine! And then, if you wanna come to the World Fantasy Awards, check out the World Fantasy Convention website!

Best Novella

The Bruising of Qilwa, Naseem Jamnia (Tachyon)
The House of Drought, Dennis Mombauer (Stelliform)
Even Though I Knew the End, C.L. Polk (Tordotcom)
Helpmeet, Naben Ruthnum (Undertow)
Pomegranates, Priya Sharma (Absinthe)

Best Short Fiction

“The Devil Don’t Come with Horns”, Eugen Bacon (Other Terrors: An Inclusive Anthology)
“Incident at Bear Creek Lodge”, Tananarive Due (Other Terrors: An Inclusive Anthology)
“The Morning House”, Kate Heartfield (PodCastle 7/5/22)
“Telling the Bees”, Kat Howard (Sunday Morning Transport 1/30/22)
“Douen”, Suzan Palumbo (The Dark 3/22)

Best Anthology

Screams from the Dark: 29 Tales of Monsters and the Monstrous, Ellen Datlow, ed. (Nightfire)
Other Terrors: An Inclusive Anthology, Vince A. Liaguno & Rena Mason, eds. (Morrow)
Dark Stars: New Tales of Darkest Horror, John F.D. Taff, ed. (Nightfire)
Africa Risen: A New Era of Speculative Fiction, Sheree Renée Thomas , Oghenechovwe Donald Ekpeki, Zelda Knight, eds. (Tordotcom)
Trouble the Waters: Tales from the Deep Blue, Sheree Renée Thomas, Pan Morigan, Troy L. Wiggins, eds. (Third Man)

Best Artist

Kinuko Y. Craft Y. Craft
Galen Dara
Matt Ottley
Lauren Raye Snow
Charles Vess

Special Award – Professional

Irene Gallo, for Tor.com
Gavin J. Grant & Kelly Link, for Small Beer Press
Tim Lebbon & Daniele Serra, for Without Walls (PS)
Fiona Moore, for Management Lessons from Game of Thrones: Organization Theory and Strategy in Westeros (Edward Elgar)
Matt Ottley, for The Tree of Ecstasy and Unbearable Sadness (Dirt Lane)

Special Award – Non-Professional

Michael Kelly, for Undertow Publications
Cristina Macía, for The Celsius Festival
dave ring, for Neon Hemlock Press
Lynne Marie Thomas & Michael Damian Thomas, for Uncanny Magazine
E. Catherine Tobler, for editing The Deadlands

And thank you to the judges for all your EXCESSIVELY hard work:
Dale Bailey, Kelly Robson, Ginny Smith, A.C. Wise, and Ian Whates.

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Updated Narration Page

This was a little mind-clearing project I did yesterday and today: listing all the books (in series order, categorized by genre) that I’ve narrated–including my own!

It’s funny–I know I’ve narrated more than these, but I don’t know if they’re extant anymore. I could probably go digging for the titles, but if they’re not available anywhere, I’m not sure how useful that would be.

…Also, maybe the authors took them down because they loathed the narration. (If that’s true… just don’t tell me, please!) But here’s the Narration page on my website.

If I ever need another mind-clearing project, I’ll add hot links to all the titles. You can find all of these on Audible, but not in any particular order, so I thought I’d organize that.

Just in case, you know, you’re DYING for the sound of my voice.

I think I’ve grown a lot as a narrator since I started in audiobooks in 2015. I don’t really… want… to listen to myself, even now–I like the sound of my voice, but there comes a point, after a project is done, that there’s no fixing the errors. There’s just moving on.

The bravest narrators I know listen to their own work and give themselves notes. The smartest narrators I know color-code their prep-scripts with voices, and mark the breaths, the rhythm, the peaks and crescendos. But one of my favorite narrators, now passed away, never read the prep script at all before he recorded. He wanted it fresh for his readers–and for himself–as if telling the story for the first time.

So, really, it takes all sorts. And I’m one of them.

And I do so love the work. I never don’t look forward to a recording day.

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GenCon Schedule!

C. S. E. Cooney

Thursday

2:00-2:50 Panel GCWS – Game Narrative: Writing for Tabletop Roleplaying Games
Carlos Hernandez (mod), C. S. E. Cooney, James Lowder, Mostafa Haque
Marriott Ballroom 1

Thursday 6:00 PM EDT Meet the Pros of Writers’ Symposium
Marriott Wabash 1

Friday

6:00-10:00 PM Play-Through of Negocios Infernales
Carlos Hernandez, C. S. E. Cooney

JW: 107: 3

Saturday

10:00-11:50 Panel GCWS – Special Event: An “Infernal” Salon—A Fun, Low-Stakes Writing Workshop
C. S. E. Cooney, Carlos Hernandez
Marriott Ballroom 1

2:00-2:50 Panel GCWS – Multimedia: Speculative Poetry in Roleplaying Games
Marie Bilodeau (mod), Brandon O’Brien, C. S. E. Cooney, Bryan Thao Worra
Marriott Ballroom 4

4:00-4:50 Panel GCWS – Signing: Carlos Hernandez and C. S. E. Cooney
Carlos Hernandez, C. S. E. Cooney
ICC

6:00-10:00 PM Play-Through of Negocios Infernales
Carlos Hernandez, C. S. E. Cooney
JW: 107: 1

Carlos Hernandez

Thursday

Thursday 10:00 AM EDT Playing TTRPGs with Writers Feeds Your Craft!
(Session A)
Marriott Ballroom 4

Thursday 11:00 AM EDT Quiet Doesn’t Mean Cozy!
Marriott Ballroom 3

Thursday 2:00 PM EDT Writing for Tabletop Roleplaying Games
Marriott Ballroom 1

Thursday 6:00 PM EDT Meet the Pros of Writers’ Symposium
Marriott Wabash 1

Friday

Friday 10:00 AM EDT Portfolio Review: Tabletop Games
Marriott Atlanta

Friday 1:00 PM EDT Writing Comic Books for Marvel-From a Guy Who Just Broke In!
Marriott Ballroom 4

Friday 3:00 PM EDT New Directions in Story-Driven Games
Marriott Ballroom 3

Friday 18:00-22:00 PM Play-Through of Negocios Infernales
Carlos Hernandez, C. S. E. Cooney
JW: 107: 3

Saturday

Saturday 10:00 AM EDT An “Infernal” Salon–A Fun. Low-Stakes Writing Workshop
Marriott Ballroom 1

Saturday 4:00 PM EDT Signing with Carlos Hernandez and C. S. E. Cooney
Exhibit Hall: Author Signing Table

Saturday 18:00-22:00 PM Play-Through of Negocios Infernales
Carlos Hernandez, C. S. E. Cooney
JW: 107: 1





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Casa Hernandooney: Our Readercon Schedule

C. S. E. Cooney

Friday, July 14, 2023

11:00 AM
Devils, Aliens, Poets, Oh My! A Speculative Performance

Salon A, Duration: 60 mins

Narrative speculative poetry, music from SF concept album-in-the-making “Ballads from a Distant Star,” and maybe even a scene or two from a new musical podcast in development “The Devil and Lady Midnight! Let C.S.E. Cooney and Carlos Hernandez (and possibly friends!) entertain you.

1:00 PM

Cooney and Hernandez Joint Reading

Salon C, Duration: 60 mins

Award-winning writers C. S. E. Cooney and Carlos Hernandez will read from new prose and poetry and/or old favorites and/or anything if you tip well enough.

***Now, the following is NOT on the Readercon schedule under my name, but to Friday’s schedule, I happily add this***

3:00 PM

Group Reading: Why Didn’t You Just Leave?

Salon C, Duration: 60 mins

Editors Julia Rios and Nadia Bulkin will lead a group reading from their forthcoming horror anthology about the reasons people might choose—or be forced—to stay in haunted places.

Now, I’m not in this anthology, but my friend Christa Carmen is, and my friend Julia Rios is one of the editors.

Christa can’t make it to Readercon, so she asked me to read an excerpt from her story. And then Julia asked me to read another excerpt from a different story! So I get to read some stories for you!

6:00 PM Reading Audio

Salon B, Duration: 60 mins

How does the experience of reading a book differ between listening to audio and looking at text? What kinds of stylistic choices work better in audio or better on paper, and how do writers navigate knowing they’re often writing for both at once? And how does a narrator’s performance affect the style of the work?

Saturday, July 15, 2023

11:00 AM
Kaffeeklatsch: C.S.E. Cooney

Concierge Lounge, Duration: 60 mins

1:00 PM
Ritual as Boundary and Transformation

Salon 3, Duration: 60 mins

In the Readercon 31 panel, “Everywhere a Boundary,” panelists discussed how boundaries can divide a concrete, present “here” from an imagined, theoretical, or less present “there.” A central function of ritual can be to create boundaries, separating between then and now, here and there, orderly and disorderly, appropriate and taboo. This holds true for rituals both secular and religious, such as swearing in witnesses, following rules of order in a meeting, or practicing the personal care routines that create boundaries between different parts of the day. How does ritual perform these functions in SFF? Who is doing interesting work with these concepts?

2:00 PM Autographs: C.S.E. Cooney

Autographs Table, Duration: 60 mins

Carlos Hernandez’s Schedule

(You might see some repeats, because we like doing things together!

Thursday, July 13, 2023

9:00 PM
Worldbuilding: From the Mundane to the Fantastic

Salon A, Duration: 60 mins

Some of the most beloved speculative fiction worlds have foundations based in the mundane. Examples include Stephen King’s horror fiction, Harry Potter, Buffy the Vampire Slayer, and works by William Gibson. These worlds are both recognizable and Other. What makes them so successful and memorable? Are there similar worlds that tried and failed? What can authors learn from these worlds when creating their own?

Friday, July 14, 2023

11:00 AM
Devils, Aliens, Poets, Oh My! A Speculative Performance

Salon A, Duration: 60 mins

Narrative speculative poetry, music from SF concept album-in-the-making “Ballads from a Distant Star,” and maybe even a scene or two from a new musical podcast in development “The Devil and Lady Midnight! Let C.S.E. Cooney and Carlos Hernandez (and possibly friends!) entertain you.

1:00 PM
Cooney and Hernandez Joint Reading

Salon C, Duration: 60 mins

Award-winning writers C. S. E. Cooney and Carlos Hernandez will read from new prose and poetry and/or old favorites and/or anything if you tip well enough.

Saturday, July 15, 2023

3:00 PM
More Than Human: Animals in Speculative Fiction

Salon A, Duration: 60 mins

Stories that move animals close to the center open up valuable perspectives. For instance, using written language for beings without their own written language—at least in ways that humans might recognize—both poses ethical challenges and offers gifts. How do fiction and nonfiction writers who write about animals think about their projects?

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Infernal Bargains: Our Summer in Play

I wrote a new newsletter for Substack. This space won’t JUST be for reposting newsletter news, I promise. This is much more for poetry and random bloggy thoughts and whatever else occurs to me.

In fact! I will be posting our Readercon schedule up here shortly.

But… since I did in fact write a newsletter… *big eyes*

Go on and give it a read, why dontcha?

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New Newsletter for the Solstice!

Come and read all about it, over on my Substack!

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Hallelujah: Leonard Cohen, A Journey, A Song

I’ve been meaning to watch this documentary for over a year. I kept a poster I saw about a showing in New York on my desktop to remind me.

So… here are things I loved so much I stopped the documentary to write them down. There was a lot more that I didn’t write down. And yes, I cried.

“I think the borders have faded between a lot of endeavors. Like the poet, or the singer… It’s just a matter of what your hand falls on. And if you can make what your hand falls on sing, then you can just do it.”

“Sometimes I would go with the old Beat philosophy: ‘First thought, best thought,’ but it never worked for me. There hardly is a first thought. It’s all sweat… The experience is the experience of work. And of failure. You’re just trying to lay it out as accurately as you can.”

“I visited the Chief Executive of Columbia Records… First of all, he reviewed my suit. Then he said, ‘Leonard, we know you’re great. But we don’t know if you’re any good.'”

“I feel as if I have huge posthumous career ahead of me.”

“If I knew where songs came from, I would go there more often.”

“It’s a rigorous life. It’s designed to overthrow you… It’s a very careful and precise investigation into the self that was urgent for me. If you’re sitting in a meditation hall for four or five hours a day you kinda get straight with yourself. So this is not on the level of a religious conversion. It’s closer to science than religion.”

“You keep discarding the stuff that is too easy, or too much of a slogan.”

“But I really am a writer, and a writer is deeply conflicted. And it’s in his work that his reconciles those deep conflicts. And it doesn’t set the world in order. It doesn’t really change anything. It just is a kind of harbor.”

“One is always trying to write a good song. Like everything else, you put in your best effort, but you can’t command the consequences.”

“Nothing’s over till it’s over, but I find myself in a graceful moment… It’s not so much that I got what I was looking for, but the search itself dissolved.”

“70 is indisputably not youth. I don’t say that it’s extreme old age, but it’s the foothills of old age, and that urgent invitation to complete one’s work is very much in my life.”

– Are you gonna tour?
– I may. Because, you know, it’s a good solution to old age and death. Just play till you drop.

“The only way you can sell a concert is if you put yourself at risk. And if you don’t do that, people know. And they go home with the feeling that, well, they like the songs, but you know, they prefer to listen to them at home. But if you can really stand at the center of your song, if you can inhabit that space, and really stand for the complexity of your own emotions, then everybody feels good. The musicians feel good, and you feel good, and the people who’ve come feel good.”

His text to his frend at the end:

“Ducking away to write and write feverishly, if two words a day constitutes a fever. Many pressing concerns, but ignoring most of them in favor of a finished lyric. Not interested in anything else, and this interest fairly fragile also. Another beautiful day.”

“You look around and you see a world that is impenetrable, that cannot be made sense of. You either raise your fist, or you say Hallelujah. I try to do both.”

Other raw emotions besides awe:

I got the angriest at the artist’s assholery (at least assholery as I perceived it from the outside, out of context, knowing nothing but what I was told) was during the John Lissauer narrative. The cultivation, collaboration, and then abandonment of a younger artist. And eight years later, a new call for collaboration, after complete silence–and the forgiveness Cohen received. Just… shocking. How understanding Lissauer was… how relieved, even grateful at the warmth. And then, how they went on to keep working together. I loved that in the credits, we were shown Lissauer inducted into the Hall of Fame for his work on the original Hallelujah.

Also, the whole part when the rabbi talks about the bat kol! I wish I’d written everything down. But then, there’s always Wikipeida.

AND THE WHOLE TOWER OF SONG SEQUENCE TOWARDS THE END! When the audience member yells, “Leonard Cohen, I love your voice!” And he smiles and says, “You’re the only one that does,” before launching into that verse, “I was born like this, I had no choice/ I was born with the gift of a golden voice,” with such irony, and appreciation, and camp, and sinking into his own septuagenarian sexiness, all to please the audience. And they lapped it up.

I loved how, in the beginning of the documentary, he announces that really wants to be an Elder. And by the end, we see exactly that that is what he became. Globally.

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I Dreamed a City Like a Woman on Her Side

I dreamed a city like a woman on her side
her boundaries silver-lined
a gray wall with glass atop, or tinsel
bright-edged,
to keep birds and bounders away.

her hair flowed into a great lake
her tears flowed into a great lake
she lay upon her side, and wept,
her hair in her face,
her verges sun-tipped, jagged.

was the lake her wound?
the city lived in her, yet she wept.
her walls were fortified,
her outline strong to anyone
watching with a bird’s eye.

did they know they lived inside her,
her citizens in their scurry?
did they let the lake crawl into their laps
stroke its waves and whisper:
don’t cry, don’t cry?

was she sore at her stony boundaries?
close to rupture?
groaning under glass, or tinsel?

did she bleed every time they closed
or opened
her doors?

May 30th, 2023
C. S. E. Cooney


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